Violinist Shin-young Kwon, who is a member of the Oregon Symphony and also the Arnica and Mousai Remix string quartets (!), gives a recital tonight (Tuesday, January 29th) with pianist Yoko Greeney at Portland State University’s Lincoln Recital Hall (Room 75). The recital begins at 7:30 p.m., and is free of admission charge.
Arnold Schoenberg – ‘Phantasy’ Op. 47 (1949) for Violin and Piano Béla Bartók – ‘Tempo di Ciaccona’ from Sonata for Solo Violin, Sz. 117 J.S. Bach – ‘Ciaccona’ from Partita No 2, BWV 1004 in D minor for Solo Violin Ludwig van Beethoven – Sonata No. 10, Op. 96 in G major for Violin and Piano
Octet concerts don’t happen very often. There are two very good reasons for this:
There are not that many really good octets that have been composed. Please, spare me the emails or comments, I know that there are a lot of octets, but not many of them are good.
It’s really difficult to get eight busy musicians together for adequate rehearsal time.
Luckily for us, we had discovered an online scheduling tool called Doodle. It allowed us to quickly see which dates and times for which we were all available.
Rehearsing itself can be a challenge – you’ve got to find a location that’s big enough for eight string players, first of all. Then you need to be able to communicate clearly and effectively (difficult when you’ve got chatty-Cathy cellists) when eight people all have their own ideas. Luckily, we left most of the communicating to our intrepid first violinists for each piece – Bruch: Adam LaMotte, Shostakovich: Fumino Ando, and Mendelssohn: Greg Ewer. Hearing each other in a very loud rehearsal space can also present challenges. So, last night we took our first foray out of Greg’s living room and went to the Community Music Center to use their hall as a fill in for the Old Church. Predictably, we couldn’t hear much of anything, which is close to what it will be like in the Old Church, but worse. So that will hopefully clear up some of the “help, I can’t hear a thing!” vibe at the performance tonight.
These are the three octets we’ll be playing tonight:
Max Bruch – Octet, Op. posth. (1920)
Dmitri Shostakovich – Two movements for string octet, Op. 11
Felix Mendelssohn – Octet, Op. 20
It should be a great show, with fabulous musicians all around:
I hate going to concerts. I love going to concerts. Perhaps I was required to read too much Kant and Hegel in my undergraduate senior thesis class. I’ve got a nice, ripe dualism in my psyche. It’s a common dilemma to most performing musicians. We have a night off, and the last thing we want to do is go to see a concert, a play, or a movie. But going to see something satisfying and good is, well, satisfying and good. And that is entirely worthwhile. Just as Sunday night’s debut concert by the string quartet Mousai Remix proved to be. Continue reading “goddesses, remixed”