this friday: feldman

This week’s Portland Social Distance Ensemble production.

From our press release this week:

“This week the Portland Social Distance Ensemble presents Morton Feldman’s masterpiece, “Clarinet and String Quartet”, in a cross-continental chamber music concert performed live by clarinetist James Shields and violinist Emily Cole (CA), joined by violist Ron Blessinger (Portland) and cellist Laura Metcalf (NYC). Their program also includes “Romance” by Gerald Finzi, the second movement of his beautiful “Five Bagatelles”.

Composed in 1984, Feldman’s “Clarinet and String Quartet” is a study in musical contemplation, an invitation to enter a sound world of evolving color and abstract gestures.

An avid collector and friend of abstract painters Mark Rothko and Philip Guston, Feldman once remarked that in certain paintings, when perspective disappears, the meaning, the experience, is “…not confined to a painting space but rather existing somewhere in the space between the canvas and ourselves.” This remarkable quote takes on added significance in our performance, with the performers and audience separated by great distances, yet connected via our collaborative technology.

Go to https://www.45thparallelpdx.org/donate to continue bringing live music to your home every Friday at 6pm PDT

The Portland Social Distance Ensemble is an experiment in building community through collaboration, a place where artists can safely come together to do our part in making the world a better place.

45th Parallel Universe will be presenting weekly live streamed performances every Friday @ 6 PM PDT, featuring talented musicians who are eager to get back to the business of creating new musical art.

Each performer participates remotely from their homes, with their playing combined into a unified performance using innovative technology designed by Friend of 45th Parallel Danny Rosenberg. These performances are only possible because of your generous support.”

Streaming Links:
YouTube
Facebook
or head to the 45th Parallel Universe web page.

third angle: mozart revisited

PeoplemoverPosterDo you remember the People Mover from Future World at Disneyland? It was a wonderful idea. Little trains of self-contained cars that were envisioned to whisk 1950’s nuclear families to their destinations in style, while allowing them to read, nap, or just enjoy the scenery, free of the onerous duty of driving. Steven Mackey’s 1997 piece “Humble River” is much like that now defunct People Mover. Mackey himself described the piece, which is meant to be performed with portions of the Mozart Flute Quartets interspersed between its movements, as “a river with islands of Mozart.” There are some wonky music theory concepts that bind the Mozart and the Mackey together, but one doesn’t need to know those to enjoy them both. Instead, see the Mozart ensemble as both salve and muse to the Mackey ensemble. Mozart encourages Mackey to sing, which he never quite does, but instead he responds with ever greater rhythmic vitality.  The Mackey contains a set of ideas, presented primarily in the opening Prelude, which set the tone for the rest of the piece. There is a texture which he calls “a collection of broken toys”, a West Side Story-like jazzy riff, and a motive that to me sounds like the opening portion of the Westminster chimes. Together, these become a seamless tapestry – almost stream of consciousness, but meticulously worked out as rhythms morph in and out of each other in ingenious (and for the performer, extremely challenging) ways.

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Steven Mackey

Mackey has said that he is very interested in the role of memory both in the act of composing and in the act of listening. In Humble River, he both foreshadows and recalls motives in various guises, calling on our memories to fill in the blanks in between. As an even further leap, he then suggests movements of the Mozart flute quartets be played in between each of the work’s four sections. The Mozart, as an island, or as I prefer to see it, a series of flashbacks, both clears the palate and primes the memory for what is to come. Mackey says in his notes “Humble River can also be performed continuously, without comment from Mozart. I imagine one would gain a clearer sense of the overall evolution from repressed to ecstatic, from modest spring to raging rapids and sea of sound. But one would loose the intermediate tensions resulting from the interweaving of the two worlds of experience.”

Zachariah Galatis, flute
Zachariah Galatis, flute

It has been a challenge to get this work under our fingers, with its fluid rhythms and not a few unconventional extended techniques, but it is a highly rewarding piece to play as its knotty passages are ‘untied’. We hope you enjoy hearing as much as we enjoy playing it for you!

 

 

 

 

Who:  Zachariah Galatis, flute; Ron Blessinger, violin; Charles Noble, viola; Marilyn DeOliveira, cello.

Tickets: Click Here

When: Thu & Fri Feb 12 & 13, 2015 @ 7:30 PM

Where: Studio 2@Zoomtopia, 810 SE Belmont

Program:
Humble River,(1997)
for Flute, Violin, Viola, Cello
By Steven Mackey
Commissioned by The Rotterdamse Kunstichting for Leonore Pameijer and friends, Boosey & Hawkes 1998

Prelude
Mozart A Major K. 298 Movement 1:
Thema Andante– Variazioni I-IV
Part 1
Mozart G Major Quartet K. 285A Movement 2:
Tempo Di Menuetto
Part II
Mozart D Major Quartet K. 285 Movement 3:
Rondeau
Part III
Mozart C Major Quartet K. Anh. 171(285b) Movement 2:
Thema: Andantino– Variazioni I-IV
PartIV

Performers:
Zachariah Galatis, flute
Ron Blessinger, violin
Charles Noble, viola
Marilyn DeOliviera, cello

Click HERE for program notes.

Sponsor: 
Generously funded by David & Julie Machado

third angle in china/tibet

Third Angle New Music Ensemble String Quartet

Portland’s Third Angle New Music Ensemble was recently in China and Tibet, and Artistic Director Ron Blessinger (and some guest bloggers) wrote vividly about their experiences in Nanchang, Beijing, and Tibet. You can read about this exciting trans-oceanic trip at the Third Angle’s blog:

  1. Third Angle goes to China.
  2. Collaborations.
  3. Nanchang.
  4. Nanchang II.
  5. Beijing – second impressions on a first day back.
  6. Long Song & Zajia.
  7. Beijing Modern Music Festival.
  8. Greg Ewer: wall climber.
  9. Chengdu & train to Lhasa.