Last night the Arnica Quartet performed as part of the new (and hopefully annual) MarchMusic series held at the new OHSU medical office building (now informally known as the “Tram building”). It was an encouraging experiment. The lobby of this new LEED platinum-certified structure has surprisingly wonderful acoustics – we could hear each other very well, hear ourselves very well, and the three story atrium contributes a nice reverberation bloom to the sound. I would have liked to have talked a bit more, and I know that the audience was expecting more of that, but there wasn’t a graceful way to get to the microphone after the intermission, before we began the Debussy.
Overall, I think the concert went well. There were the usual glitches that always happen in a first public performance of a piece together, but there were a lot of nice moments as well. I’m finding that each time I approach a new Beethoven quartet, that there is yet more to marvel at. The care of construction, the sureness of his orchestration, and an innate sense of drama derived from the form – it’s all right there, as good as you could want, and all within the constraints of the typical Classical forms. All this in Op. 18 – before Beethoven reached his 30th birthday.
The Debussy is a continuing revelation. Having done the Ravel and Debussy with the Ethos Quartet, I’m firmly convinced that the Debussy is the superior composition. The Ravel owes much to it, and is a beautiful and masterful piece. But the Debussy is so tight in its construction, and one is so unaware of the construction nonetheless, that it is a miracle. The taut, driven energy of the opening of the first movement is contrasted by the languid fluidity of the third movement, while the second movement makes extensive use of pizzicato (plucking of the strings), and the final movement makes the quartet a cyclical event with the high energy return of the opening theme of the piece. The ending is exhilarating, almost orchestral in its scope and sweep. It’s a difficult piece to play well, but always worth the effort.
It was also nice to meet one of my readers – “Eva” – in the flesh, and to have Elaine Calder (Oregon Symphony consultant) take time out of a busy evening to come hear us.