Violist Sam Bergman has always been one of my favorite bloggers. We both started blogging at around the same time, and he’s always managed to make me think about things in new ways. Today, Sam has written a post that sums up the way many of us – both musicians and managers – feel
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We have Principal timpani auditions coming up at the Oregon Symphony, and thanks to Sam Bergman over at the Minnesota Orchestra’s Inside the Classics, here is a YouTube gem:
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Violist Sam Bergman, of the Minnesota Orchestra (and fellow BBB – Bratsche Blogging Brother) made this arrangement of Copland’s Fanfare for the Common Man for a Minnesota Orchestra function. I kind of like it – it might be something we should do here in Oregon…
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Sam Bergman over at the Minnesota Orchestra has a great post about the apparent double standard between opera companies and symphony orchestras. In brief: orchestras are constantly being berated for having structural deficits and are forced to produce more and more for-profit-like business models, while opera companies lose tremendous amounts of money on high-tech experiments
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Violist Sam Bergman has a great illustration of how different it is to hear an orchestra from the audience’s point of view than from a seat in the orchestra. Sam’s a violist with the Minnesota Orchestra, which is on a European tour right now. Their first stop was the Barbican Centre in London, where the
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Sam Bergman, violist with the Minnesota Orchestra, has written an insightful and compelling post about the current situation in Columbus. Here’s the crux of his argument against the draconian cuts proposed by the CSO board and management: Consider it from another angle: let’s say that the Minnesota Timberwolves, plagued for years by slumping ticket sales,
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Violist (aren’t we an enterprising bunch?!) Sam Bergman of the Minnesota Orchestra has been writing and hosting the educational series called Inside the Classics.
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