Tag Archives: bluebeard’s castle

Oregon Symphony – Bluebeard’s Castle

Dale Chihuly’s magnificent works of art provide a stunning visual dimension for Béla Bartók’s dark and mysterious opera. Mozart’s celebratory Symphony No. 31 balances the evening nicely. And what kicks off a 120th Anniversary Season better than a world premiere?

Carlos Kalmar, conductor
• Viktoria Vizin, Judith
• Gábor Bretz, Bluebeard
• MaryAnne Glazebrook, former wife
• Myia Johnson, former wife
• Ithica Tell, former wife
• Dale Chihuly, glass sculptures set designer
• Mary Birnbaum, stage director

Rogerson: Among Mountains
(World Premiere)
Oregon Symphony commission
celebrating our 120th Anniversary
Season with generous support from
William D. Rutherford
Mozart: Symphony No. 31, “Paris”
• Bartók: Bluebeard’s Castle

Oregon Symphony – Bluebeard’s Castle

Dale Chihuly’s magnificent works of art provide a stunning visual dimension for Béla Bartók’s dark and mysterious opera. Mozart’s celebratory Symphony No. 31 balances the evening nicely. And what kicks off a 120th Anniversary Season better than a world premiere?

Carlos Kalmar, conductor
• Viktoria Vizin, Judith
• Gábor Bretz, Bluebeard
• MaryAnne Glazebrook, former wife
• Myia Johnson, former wife
• Ithica Tell, former wife
• Dale Chihuly, glass sculptures set designer
• Mary Birnbaum, stage director

Rogerson: Among Mountains
(World Premiere)
Oregon Symphony commission
celebrating our 120th Anniversary
Season with generous support from
William D. Rutherford
Mozart: Symphony No. 31, “Paris”
• Bartók: Bluebeard’s Castle

Oregon Symphony – Bluebeard’s Castle

Dale Chihuly’s magnificent works of art provide a stunning visual dimension for Béla Bartók’s dark and mysterious opera. Mozart’s celebratory Symphony No. 31 balances the evening nicely. And what kicks off a 120th Anniversary Season better than a world premiere?

Carlos Kalmar, conductor
• Viktoria Vizin, Judith
• Gábor Bretz, Bluebeard
• MaryAnne Glazebrook, former wife
• Myia Johnson, former wife
• Ithica Tell, former wife
• Dale Chihuly, glass sculptures set designer
• Mary Birnbaum, stage director

Rogerson: Among Mountains
(World Premiere)
Oregon Symphony commission
celebrating our 120th Anniversary
Season with generous support from
William D. Rutherford
Mozart: Symphony No. 31, “Paris”
• Bartók: Bluebeard’s Castle

more raves on seattle opera 08-09 season

Gavin Borchert shares my enthusiasm about the Seattle Opera’s 2008-2009 season, especially the Bartók/Schoenberg duo of one-act operas:

Most exciting—unbelievable, in fact—is their presentation of Robert Lepage’s production of Bartok’s Bluebeard’s Castle and Schoenberg’s monodrama Erwartung (Feb. 21-March 7), which I saw in Vancouver in 1998 and never dreamed would be done here. I did, however, hang on to the review I wrote:

“Bartok’s 45-minute opera is a duologue between Bluebeard and his bride Judith. In his great hall stand seven doors; one by one she demands to open them, revealing the horrors and wonders within. But behind the last are the apparitions of Bluebeard’s three previous wives, and Judith joins them to be sealed up forever as the curtain falls. In Michael Levine’s black-box set, the floor, ceiling, and walls slope up, down, and in from the proscenium to converge on a portcullised entrance at the rear of the stage—a space which both conveys the somber vastness of a castle hall and becomes increasingly claustrophobic as the psychological screws tighten. Robert Thomson’s lighting was an equal partner in the drama, from the row of illuminated keyholes in the darkness that marked the doors to the dazzling bursts of light as each one opened. Most magical was the moat at the lip of the stage, silvery waters from which the three wives rose, a stunningly beautiful effect.

“Lepage’s Schoenberg staging used the same set. In the original stage directions, a woman wanders through the woods and discovers the body of her lover, who, it is implied, she killed in an insane fit of jealousy. Lepage presented this as a flashback from the woman’s asylum cell, a hallucination decked with Dadaist details: a psychoanalyst in a chair on the wall, a floating bed, a scarlet moon.”

As long as I live, I’ll never forget the moat. “Stunningly beautiful” doesn’t even begin to cover it. This is the must-see of the season, if not the decade.

seattle opera season announced

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David Stabler has provided an outline of the upcoming ’08-’09 season of the Seattle Opera, which begins with Aida in August. What I’m totally psyched about (and I hope I can go see) is the double bill of Bartok’s Bluebeard’s Castle and Schoenberg’s Erwartung. Too cool!!