This week’s issue of the New Yorker has music critic and arts writer Alex Ross’ thoughts on the Spring for Music Festival and the Oregon Symphony’s program and performance at Carnegie Hall earlier this month. The verdict? He liked it. A lot. Here’s an excerpt from the article: ….”Great programs create a kind of
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David Stabler has an extensive (by newspaper standards) article in this Sunday’s Oregonian (available today on newstands or online) on OSO music director Carlos Kalmar and his effect on the Oregon Symphony. I’m quoted extensively in the article, and I’m sure I’ll take a lot of grief for my “we’re the dog” bit of frippery.
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