
The New York Times today published an article of not insignificant length dedicated to the Seattle Symphony and its intense level of discord between its musicians and its music director and conductor Gerard Schwarz.
In Seattle, a Fugue for Orchestra and Rancor
The Seattle Symphony Orchestra’s recent history serves as a cautionary tale on how, in an artistic hothouse, a tangle of emotion and politics can veer out of control and take on a life of its own.
There is precious little new information brought to light compared to articles that previously appeared in the Seattle Times and the Seattle Weekly, but there are a few details which were either not released by those papers or weren’t available to them at that time.

violinist Peter Kamen
This national, high-profile coverage comes just as a lawsuit is set to begin court proceedings in Seattle in January. Peter Kamen, a violinist in the orchestra since 1981, alleges that Schwarz has been harassing and bullying him due to behavior that is due to an anxiety disorder, and that this is discrimination.
For example, the player survey whose results were quashed by the orchestra management has a couple of key statistics now revealed: by a vote of 61 to 8 the musicians said that new artistic leadership was needed, and a vote of 61 to 12 indicated that a search committee should be formed to search for a new music director. Considering the varied agendas and desires of a symphony orchestra membership, such number indicate as close to unanimity as one can get in situations such as this.
Clearly, something is wrong in Seattle – things should not have gotten to this point. Who is to blame? I’ll leave that for the reader to decide – and will await the coverage of the lawsuit and its fallout.