{"id":7584,"date":"2012-05-09T18:26:09","date_gmt":"2012-05-10T01:26:09","guid":{"rendered":"http:\/\/www.nobleviola.com\/?p=7584"},"modified":"2013-02-07T21:06:57","modified_gmt":"2013-02-08T05:06:57","slug":"tales-from-the-practice-room-5102012","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2012\/05\/09\/tales-from-the-practice-room-5102012\/","title":{"rendered":"tales from the practice room &#8211; 5\/10\/2012"},"content":{"rendered":"<p>This week is getting busier and busier. We&#8217;re rehearsing our program for this coming weekend, which has higher stakes than usual as we&#8217;re recording part of the program to complete our second CD of British music &#8211; Britten&#8217;s <em>Four Sea Interludes<\/em> from <em>Peter Grimes<\/em>. Add to that the <em>Passacaglia<\/em> (also from Grimes), and Sibelius&#8217; Seventh Symphony, Tchaikovsky&#8217;s First Piano\u00a0Concerto, and Dvorak&#8217;s<em> Scherzo capriccioso<\/em>, and it&#8217;s a full program.<\/p>\n<p>On top of all this, it&#8217;s my week to practice what we&#8217;ll be rehearsing next week (starting Monday, in fact!): capped by two gigantic and challenging works &#8211; John Adams&#8217; <em>City Noir<\/em> and Stravinsky&#8217;s <em>Rite of Spring<\/em>. This is my third or fourth set of performances of the Stravinsky, and that will just take a bit of touch up work.<\/p>\n<p>The Adams, on the other hand, is a completely different animal. It will be a lot of fun to play, once I&#8217;ve got it up to tempo and hear what others are doing around me, I&#8217;m sure. When you look at one of Adams&#8217; orchestral parts (I know that there are some exceptions to this, woodwinds!), it really never looks that intimidating. In fact, it&#8217;s the pages that aren&#8217;t so black with fast notes that are often the most tricky. You see, Adams has a way of putting you into a nice groove, and then he pulls out the rug from under you, and you&#8217;re doing the same groove, but a sixteenth note off, sort of like having a record skip (look it up on <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2012\/05\/LP_record\" target=\"_blank\">wikipedia<\/a>, young &#8216;uns) and then jogging the needle back into the groove. It&#8217;s a great effect, but it is often hard to internalize without a good deal of quality time with the metronome. Here&#8217;s one of the trickier passages in the first movement, entitled <em>The City and its Double<\/em>:<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-7585 alignnone\" title=\"adams1\" src=\"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2012\/05\/adams1-599x394.jpg?resize=580%2C381\" alt=\"\" width=\"580\" height=\"381\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week is getting busier and busier. We&#8217;re rehearsing our program for this coming weekend, which has higher stakes than usual as we&#8217;re recording part of the program to complete our second CD of British music &#8211; Britten&#8217;s Four Sea Interludes from Peter Grimes. Add to that the Passacaglia (also from Grimes), and Sibelius&#8217; Seventh [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"aside","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[148,183,269,2],"tags":[2994,416,3687,3660],"class_list":["post-7584","post","type-post","status-publish","format-aside","hentry","category-appreciations","category-contemporary","category-new-music","category-the-orchestra-world","tag-city-noir","tag-john-adams","tag-practicing","tag-viola","post_format-post-format-aside"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-1Yk","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7528,"url":"https:\/\/www.nobleviola.com\/wordpress\/2012\/04\/24\/oregon-symphony-broadcast-schedule-announced\/","url_meta":{"origin":7584,"position":0},"title":"oregon symphony broadcast schedule announced","author":"Charles Noble","date":"April 24, 2012","format":false,"excerpt":"Finally! The Oregon Symphony is back on the airwaves, and not only our local FM station (89.9 FM Allclassical.org), but streamed around the world and available for two weeks after the broadcast date as an archived stream. Kahane Plays Mozart Carlos Kalmar, conductor Jeffrey Kahane, piano Vaughan Williams: Symphony No.\u2026","rel":"","context":"In &quot;radio&quot;","block_context":{"text":"radio","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/radio\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7434,"url":"https:\/\/www.nobleviola.com\/wordpress\/2012\/03\/21\/former-concertmaster-to-join-oso-for-final-concerts-of-season\/","url_meta":{"origin":7584,"position":1},"title":"former concertmaster to join oso for final concerts of season","author":"Charles Noble","date":"March 21, 2012","format":false,"excerpt":"David Stabler of the Oregonian broke the story earlier today: A good friend returns to Portland to close out the final concert of the\u00a0Oregon Symphony's\u00a02011\/12 season. Violinist Jun Iwasaki is scheduled to appear as guest concertmaster to lead the players in Igor Stravinsky's famously furious \"Rite of Spring,\" May 20\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/06\/Iwasaki2.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3546,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/12\/04\/bartok-and-ives-a-tale-of-two-nationalists\/","url_meta":{"origin":7584,"position":2},"title":"bart\u00f3k and ives: a tale of two nationalists","author":"Charles Noble","date":"December 4, 2009","format":false,"excerpt":"On this coming weekend's performances there are two seminal works of two major composers who blazed a trail for their respective nation's modern musical heritage: the composers are Charles Ives and B\u00e9la Bart\u00f3k, and the works are Ives' Three Places in New England and Bart\u00f3k's Second Piano Concerto.\u00a0 To round\u2026","rel":"","context":"In &quot;piano&quot;","block_context":{"text":"piano","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/instruments\/piano-music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5281,"url":"https:\/\/www.nobleviola.com\/wordpress\/2010\/09\/06\/busy-week-2\/","url_meta":{"origin":7584,"position":3},"title":"busy week","author":"Charles Noble","date":"September 6, 2010","format":false,"excerpt":"The season is beginning in its usual fits and starts manner, but there are some other things going on that are making this week a bit busier for me.\u00a0 First of all, my first century ride (see sidebar to the right for donation info) is coming up on September 26th,\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2010\/09\/IMG_5844-250x187.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4588,"url":"https:\/\/www.nobleviola.com\/wordpress\/2010\/05\/03\/cinematic-music\/","url_meta":{"origin":7584,"position":4},"title":"cinematic music","author":"Charles Noble","date":"May 3, 2010","format":false,"excerpt":"May 8, 9, 10 Samuel Barber - Music for a Scene from Shelly Antonin Dvor\u00e1k - Cello Concerto - Quirine Viersen, cellist Aaron Jay Kernis - Newly Drawn Sky Leonard Bernstein - On the Waterfront Symphonic Suite We started rehearsing the program for next weekend this morning (with two days\u2026","rel":"","context":"In &quot;programming&quot;","block_context":{"text":"programming","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/programming-music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":64,"url":"https:\/\/www.nobleviola.com\/wordpress\/2006\/08\/06\/methow-report-columbia-quartet-doings\/","url_meta":{"origin":7584,"position":5},"title":"festival report: methow music festival","author":"Charles Noble","date":"August 6, 2006","format":false,"excerpt":"We're back for just an overnight at home, then it's off to Sunriver for some chamber orchestra action. The Methow Festival went very well. There were more than a few communication and logistical snafus, but given that Artistic Director and Pianist Lisa Bergman had to leave for Seattle during the\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"methow venue","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2006\/08\/208772189_951ac503b4_m.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/7584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=7584"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/7584\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=7584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=7584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=7584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}