{"id":731,"date":"2008-02-03T16:03:27","date_gmt":"2008-02-04T00:03:27","guid":{"rendered":"http:\/\/www.nobleviola.com\/wordpress\/2008\/02\/03\/schuberts-erlkonig\/"},"modified":"2013-02-07T18:38:27","modified_gmt":"2013-02-08T02:38:27","slug":"schuberts-erlkonig","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2008\/02\/03\/schuberts-erlkonig\/","title":{"rendered":"schubert&#8217;s erlk\u00c3\u00b6nig"},"content":{"rendered":"<p>Last night, after his brilliant performance of the Beethoven Second Piano Concerto, <a href=\"https:\/\/www.oregonsymphony.com\/bios\/guestartists\/gerstein.aspx\">Kirill Gerstein<\/a> played an encore that I&#8217;d never heard before, at least on piano alone.  It was <em>Erlk\u00c3\u00b6nig<\/em> &#8211; originally a song by Schubert, transcribed for solo piano by Liszt.  I had heard a similar transcription, by the violinist Max Ernst, for solo violin &#8211; and that is even more impressive.<\/p>\n<p><!--more--><\/p>\n<p>Here are the lyrics to the original song:<\/p>\n<p><span>Wer reitet so sp\u00c3\u00a4t durch Nacht und Wind?<br \/>\nEs ist der Vater mit seinem Kind;<br \/>\nEr hat den Knaben wohl in dem Arm,<br \/>\nEr fa\u00c3\u0178t ihn sicher, er h\u00c3\u00a4lt ihn warm.<\/span><\/p>\n<p>&#8220;Mein Sohn, was birgst du so bang dein Gesicht?&#8221;<br \/>\n&#8220;Siehst, Vater, du den Erlk\u00c3\u00b6nig nicht?<br \/>\nDen Erlenk\u00c3\u00b6nig mit Kron und Schweif?&#8221;<br \/>\n&#8220;Mein Sohn, es ist ein Nebelstreif.&#8221;<\/p>\n<p>&#8220;Du liebes Kind, komm, geh mit mir!<br \/>\nGar sch\u00c3\u00b6ne Spiele spiel&#8217; ich mit dir;<br \/>\nManch&#8217; bunte Blumen sind an dem Strand,<br \/>\nMeine Mutter hat manch g\u00c3\u00bclden Gewand.&#8221;<\/p>\n<p>&#8220;Mein Vater, mein Vater, und h\u00c3\u00b6rest du nicht,<br \/>\nWas Erlenk\u00c3\u00b6nig mir leise verspricht?&#8221;<br \/>\n&#8220;Sei ruhig, bleibe ruhig, mein Kind;<br \/>\nIn d\u00c3\u00bcrren Bl\u00c3\u00a4ttern s\u00c3\u00a4uselt der Wind.&#8221;<\/p>\n<p>&#8220;Willst, feiner Knabe, du mit mir gehn?<br \/>\nMeine T\u00c3\u00b6chter sollen dich warten sch\u00c3\u00b6n;<br \/>\nMeine T\u00c3\u00b6chter f\u00c3\u00bchren den n\u00c3\u00a4chtlichen Reihn,<br \/>\nUnd wiegen und tanzen und singen dich ein.&#8221;<\/p>\n<p>&#8220;Mein Vater, mein Vater, und siehst du nicht dort<br \/>\nErlk\u00c3\u00b6nigs T\u00c3\u00b6chter am d\u00c3\u00bcstern Ort?&#8221;<br \/>\n&#8220;Mein Sohn, mein Sohn, ich seh es genau:<br \/>\nEs scheinen die alten Weiden so grau.&#8221;<\/p>\n<p>&#8220;Ich liebe dich, mich reizt deine sch\u00c3\u00b6ne Gestalt;<br \/>\nUnd bist du nicht willig, so brauch ich Gewalt.&#8221;<br \/>\n&#8220;Mein Vater, mein Vater, jetzt fa\u00c3\u0178t er mich an!<br \/>\nErlk\u00c3\u00b6nig hat mir ein Leids getan!&#8221;<\/p>\n<p>Dem Vater grauset&#8217;s, er reitet geschwind,<br \/>\nEr h\u00c3\u00a4lt in Armen das \u00c3\u00a4chzende Kind,<br \/>\nErreicht den Hof mit M\u00c3\u00bch&#8217; und Not;<br \/>\nIn seinen Armen das Kind war tot.<\/p>\n<p>Who rides so late through night and wind?<br \/>\nIt is the father with his child.<br \/>\nHe holds the boy safe in his arm<br \/>\nHe holds him safe, he keeps him warm.<\/p>\n<p>&#8220;My son, why do you hide your face so fearfully?&#8221;<br \/>\n&#8220;Father, do you not see the Elf king?<br \/>\nThe Elf king with crown and robe?&#8221;<br \/>\n&#8220;My son, it&#8217;s a wisp of fog.&#8221;<\/p>\n<p>&#8220;You lovely child, come, go with me!<br \/>\nNothing but beautiful games I&#8217;ll play with you;<br \/>\nMany colourful flowers are on the shore,<br \/>\nMy mother has many golden robes.&#8221;<\/p>\n<p>&#8220;My father, my father, can&#8217;t you hear,<br \/>\nWhat the Elf king quietly promises me?&#8221;<br \/>\n&#8220;Be calm, stay calm, my child;<br \/>\nIt is the wind rustling in the dry leaves.&#8221;<\/p>\n<p>&#8220;Do you want to come with me, fine lad?<br \/>\nMy daughters should already be waiting for you;<br \/>\nMy daughters lead the nightly folkdance<br \/>\nAnd rock you and dance and sing.&#8221;<\/p>\n<p>&#8220;My father, my father, and can&#8217;t you see there,<br \/>\nThe Elf king daughters in the gloomy place?&#8221;<br \/>\n&#8220;My son, my son, I see it well:<br \/>\nIt is the old grey willows gleaming.&#8221;<\/p>\n<p>&#8220;I love you, your beautiful form entices me;<br \/>\nAnd if you&#8217;re not willing, I shall use force.&#8221;<br \/>\n&#8220;My father, my father, now he takes hold of me!<br \/>\nThe Elf king has wounded me!&#8221;<\/p>\n<p>It horrifies the father; he rides swiftly,<br \/>\nHolding in his arms the moaning child.<br \/>\nHe reaches the yard with great difficulty;<br \/>\nIn his arms, the child was dead.<\/p>\n<p>First, here&#8217;s the original version for singer and piano, sung incomparably by Dietrich Fischer-Dieskau in a London performance from 1959 with Gerald Moore at the piano:<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed\/P5B6nysheec?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p>Next, here&#8217;s the version Liszt made for solo piano:<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed\/jkuGuwHwCas?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p>Here&#8217;s the excellent young violinist Hilary Hahn playing this finger-busting version:<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed\/0g0QjwGkIEA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p>Arguably the original version for piano and singer is the hardest on the pianist, and there have been a variety of &#8220;cheats&#8221; to help the long suffering-accompanist get by, especially on a prolonged concert tour &#8211; pianist Hugh Sung, who is the accompanying instructor at the Curtis Institute of Music in Philadelphia, <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2008\/02\/index.php?itemid=771?a=b\">explains<\/a>.<br \/>\n<!--adsensestart--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last night, after his brilliant performance of the Beethoven Second Piano Concerto, Kirill Gerstein played an encore that I&#8217;d never heard before, at least on piano alone. It was Erlk\u00c3\u00b6nig &#8211; originally a song by Schubert, transcribed for solo piano by Liszt. I had heard a similar transcription, by the violinist Max Ernst, for solo [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[115,135,13,21],"tags":[53,483,3658,3659],"class_list":["post-731","post","type-post","status-publish","format-standard","hentry","category-music","category-soloists-recitals","category-video","category-violin","tag-piano","tag-schubert","tag-video","tag-violin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-bN","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":13134,"url":"https:\/\/www.nobleviola.com\/wordpress\/2014\/01\/01\/2013-playlist\/","url_meta":{"origin":731,"position":0},"title":"2013 playlist","author":"Charles Noble","date":"January 1, 2014","format":false,"excerpt":"This is as exhaustive as I can make it, but I've certainly missed some things by accident, and omitted others on purpose. It's been that kind of year. Here's to more great music in 2014! * = first time performed by me Chamber Music Bart\u00f3k Quartet No. 1* Britten Quartet\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":12505,"url":"https:\/\/www.nobleviola.com\/wordpress\/2013\/02\/27\/van-cliburn-rest-in-peace\/","url_meta":{"origin":731,"position":1},"title":"van cliburn, rest in peace","author":"Charles Noble","date":"February 27, 2013","format":false,"excerpt":"I grew up in a household that loved classical music. My father was stationed in Germany in the early 70's (went through Checkpoint Charlie dozens of times, I'm told), and collected quite a few records while there. Some of them remain my favorites to this day. Karajan's 100th Anniversary recording\u2026","rel":"","context":"In &quot;piano&quot;","block_context":{"text":"piano","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/instruments\/piano-music\/"},"img":{"alt_text":"cliburn1958","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/02\/cliburn1958.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13232,"url":"https:\/\/www.nobleviola.com\/wordpress\/2014\/02\/19\/on-schubert\/","url_meta":{"origin":731,"position":2},"title":"on schubert","author":"Charles Noble","date":"February 19, 2014","format":false,"excerpt":"I love the music of Franz Schubert. From his quaint early efforts at the string quartet to his ultimate, supreme mastery of the quartet form at the end of his too-short life, Schubert never fails to tug at my heartstrings. Like all of the great composers, to my ears, Schubert's\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7352,"url":"https:\/\/www.nobleviola.com\/wordpress\/2012\/02\/22\/sixty-years-seven-days-seven-concerts\/","url_meta":{"origin":731,"position":3},"title":"sixty years, seven days, seven concerts","author":"Charles Noble","date":"February 22, 2012","format":false,"excerpt":"William Crane turns 60 this month, and to celebrate, he's playing seven one-hour recitals with many friends-collaborators lending a hand. And no wonder. Bill is one of those people who is so excited about the prospect of making and sharing music, and once he sets his mind to doing a\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"William Crane","src":"https:\/\/i0.wp.com\/jubalsighed.com\/images\/bill.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13001,"url":"https:\/\/www.nobleviola.com\/wordpress\/2013\/10\/13\/the-miracle-of-schubert\/","url_meta":{"origin":731,"position":4},"title":"the miracle of schubert","author":"Charles Noble","date":"October 13, 2013","format":false,"excerpt":"This weekend, the Oregon Symphony is performing Schubert's Ninth Symphony in C major, often known as the \"Great\". Schubert often gets a bit lost in comparison to the great First Viennese School of composers: Haydn, Mozart, and Beethoven. It's a bit easy to understand, given that only two of his\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/rougrFY0r5Y\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12577,"url":"https:\/\/www.nobleviola.com\/wordpress\/2013\/04\/06\/classical-up-close-concerts-blitz-events-set\/","url_meta":{"origin":731,"position":5},"title":"classical up close concerts &#038; blitz events set","author":"Charles Noble","date":"April 6, 2013","format":false,"excerpt":"You can see the complete list of events\/locations\/times at the Classical Up Close website, but the programs are listed at the Classical Up Close facebook page. \u00a0ED: Now everything is on one handy page at www.classicalupclose.com. Here's a handy cheat sheet I've created (all evening concerts at 7:30 p.m. and\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=731"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/731\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}