{"id":730,"date":"2008-02-03T10:07:39","date_gmt":"2008-02-03T18:07:39","guid":{"rendered":"http:\/\/www.nobleviola.com\/wordpress\/2008\/02\/03\/more-adams\/"},"modified":"2008-02-03T10:09:46","modified_gmt":"2008-02-03T18:09:46","slug":"more-adams","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2008\/02\/03\/more-adams\/","title":{"rendered":"more adams"},"content":{"rendered":"<p>If you enjoyed last night&#8217;s first run of the Adams, word is you can come back with your ticket stub from last night in hand and get in to see the piece again tonight.  Judging from the response of the audience last night, there may be more than a few takers.  It&#8217;s good to hear a relatively contemporary piece get such a strong audience response.  All the press about how difficult a piece it is surely didn&#8217;t hurt, either.<\/p>\n[audio:shin_adams.mp3]\n<p>Here&#8217;s a clip of OSO violinist Shin-young Kwon playing the cadenza from the third movement, Roadrunner, recorded live at the Tanglewood Music Festival in the summer of 2002.  <a href=\"http:\/\/artofthestates.org\/cgi-bin\/piece.pl?pid=171\">Click here<\/a> to hear the whole performance.<br \/>\n<!--adsensestart--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you enjoyed last night&#8217;s first run of the Adams, word is you can come back with your ticket stub from last night in hand and get in to see the piece again tonight. Judging from the response of the audience last night, there may be more than a few takers. It&#8217;s good to hear [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[148,183,115,138,2],"tags":[416,3668,3659],"class_list":["post-730","post","type-post","status-publish","format-standard","hentry","category-appreciations","category-contemporary","category-music","category-summer-festivals","category-the-orchestra-world","tag-john-adams","tag-oregon-symphony","tag-violin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-bM","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":704,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/01\/26\/adams-chamber-symphony\/","url_meta":{"origin":730,"position":0},"title":"adams chamber symphony","author":"Charles Noble","date":"January 26, 2008","format":false,"excerpt":"Composer John Adams Photo credit: Deborah O'Grady. I read a few months ago that John Adams had written a sequel to his Chamber Symphony (1992) called Son of Chamber Symphony (2007). The monster movie allusions seem to be proving correct if you listen to all the chatter flying around the\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"ja-portrait-1-lw.jpg","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2008\/01\/ja-portrait-1-lw.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2152,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/03\/15\/surviving-the-first-rehearsal\/","url_meta":{"origin":730,"position":1},"title":"&#8220;surviving the first rehearsal&#8221;","author":"Charles Noble","date":"March 15, 2009","format":false,"excerpt":"I spotted this YouTube clip featuring John Adams talking about the world premiere of his work Slonimsky's Earbox with the Hall\u00c3\u00a9 Orchestra (the Oregon Symphony played the US premiere), and it struck me that said that the hardest part about being a composer was surviving the first rehearsal of one's\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":735,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/02\/06\/oso-reviews-other-thoughts\/","url_meta":{"origin":730,"position":2},"title":"oso reviews, other thoughts","author":"Charles Noble","date":"February 6, 2008","format":false,"excerpt":"Here's a round up of the reviews I've spotted of our weekend of Classical 8 series concerts, featuring the Adams Chamber Symphony. James McQuillen for the Oregonian: From the opening bars Saturday, it was obvious that the Chamber Symphony is a ferociously difficult piece, requiring virtuoso playing with crazy rhythms\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":137,"url":"https:\/\/www.nobleviola.com\/wordpress\/2006\/12\/09\/best-things-ive-heard-2006-edition\/","url_meta":{"origin":730,"position":3},"title":"best things I&#8217;ve heard: 2006 edition","author":"Charles Noble","date":"December 9, 2006","format":false,"excerpt":"I'll beat the bandwagon and start off my list of the best things I've heard in 2006: Krisztina Szab\u00c3\u00b3 - mezzo-soprano, singing opera arias from Handel's Ariodante and Alcina. It really is the golden age of the mezzo these day, Ms. Szab\u00c3\u00b3 is a fine example. Her rendition of Scherza\u2026","rel":"","context":"In \"News\"","block_context":{"text":"News","link":"https:\/\/www.nobleviola.com\/wordpress\/tag\/news\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7584,"url":"https:\/\/www.nobleviola.com\/wordpress\/2012\/05\/09\/tales-from-the-practice-room-5102012\/","url_meta":{"origin":730,"position":4},"title":"tales from the practice room &#8211; 5\/10\/2012","author":"Charles Noble","date":"May 9, 2012","format":"aside","excerpt":"This week is getting busier and busier. We're rehearsing our program for this coming weekend, which has higher stakes than usual as we're recording part of the program to complete our second CD of British music - Britten's Four Sea Interludes from Peter Grimes. Add to that the Passacaglia (also\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2012\/05\/adams1-599x394.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2012\/05\/adams1-599x394.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2012\/05\/adams1-599x394.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1213,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/10\/03\/lang-lang-minimalism-and-me\/","url_meta":{"origin":730,"position":5},"title":"lang lang, minimalism, and me","author":"Charles Noble","date":"October 3, 2008","format":false,"excerpt":"Piano phenom Lang Lang appears with the OSO tonight - and we hear him live for the first time at our dress rehearsal this morning - I'll have some first impressions this afternoon. NPR features a brief interview with minimalist pioneer Philip Glass (without whom there would likely be no\u2026","rel":"","context":"In &quot;contemporary&quot;","block_context":{"text":"contemporary","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/contemporary\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=730"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/730\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}