{"id":650,"date":"2008-01-09T01:18:19","date_gmt":"2008-01-09T09:18:19","guid":{"rendered":"http:\/\/www.nobleviola.com\/wordpress\/2008\/01\/09\/more-eddins-audition-news\/"},"modified":"2013-02-07T18:30:49","modified_gmt":"2013-02-08T02:30:49","slug":"more-eddins-audition-news","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2008\/01\/09\/more-eddins-audition-news\/","title":{"rendered":"more eddins audition news"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2007\/12\/eddins_william_eso_050119.jpg?resize=200%2C290\" width=\"200\" height=\"290\" class=\"imageframe\" alt=\"bill eddins, conductor\" \/>Check out the latest posts from conductor Bill Eddins (music director of the Edmonton Symphony) as he contends for a post with the Charlotte Symphony Orchestra.  Good stuff.<font color=\"#ff0000\">UPDATE, SON OF REDUX<\/font>: <strike>fourth<\/strike> <strike>fifth<\/strike> <span style=\"text-decoration: line-through\" class=\"Apple-style-span\">sixth<\/span>\u00c2\u00a0seventh installment added today<\/p>\n<ol>\n<li><a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2008\/01\/whistlin-dixie.html\">Charlotte Prelude<\/a><\/li>\n<li><a href=\"http:\/\/www.adaptistration.com\/sticksanddrones\/2008\/01\/charlotte-part.html\">Charlotte Part I <\/a><\/li>\n<li><a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2008\/01\/charlotte-par-1.html\">Charlotte Part II<\/a><\/li>\n<li><a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2008\/01\/charlotte-par-2.html\">Charlotte Part III<\/a><\/li>\n<li><a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2008\/01\/charlotte-par-3.html\">Charlotte Part IV<\/a><\/li>\n<li><a href=\"http:\/\/www.adaptistration.com\/sticksanddrones\/2008\/01\/charlotte-5-ali.html\">Charlotte Part V<\/a><\/li>\n<li><a href=\"http:\/\/www.adaptistration.com\/sticksanddrones\/2008\/01\/charlotte-pt-6.html\">Charlotte Part VI<\/a><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Check out the latest posts from conductor Bill Eddins (music director of the Edmonton Symphony) as he contends for a post with the Charlotte Symphony Orchestra. Good stuff.UPDATE, SON OF REDUX: fourth fifth sixth\u00c2\u00a0seventh installment added today Charlotte Prelude Charlotte Part I Charlotte Part II Charlotte Part III Charlotte Part IV Charlotte Part V Charlotte [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[299,115,2],"tags":[86,3669,55,62],"class_list":["post-650","post","type-post","status-publish","format-standard","hentry","category-conducting","category-music","category-the-orchestra-world","tag-conductor","tag-music","tag-orchestra","tag-symphony"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-au","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":595,"url":"https:\/\/www.nobleviola.com\/wordpress\/2007\/12\/17\/wild-bill-on-jacksonville\/","url_meta":{"origin":650,"position":0},"title":"wild bill on jacksonville","author":"Charles Noble","date":"December 17, 2007","format":false,"excerpt":"Bill Eddins, conductor A shout out to Bill Eddins and his excellent blog, wherein he engages in a lively discourse over the lockout situation at the Jacksonville Symphony.","rel":"","context":"In &quot;labor issues&quot;","block_context":{"text":"labor issues","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/labor-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":644,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/01\/06\/wild-bill-takes-an-audition\/","url_meta":{"origin":650,"position":1},"title":"wild bill takes an audition","author":"Charles Noble","date":"January 6, 2008","format":false,"excerpt":"Conductor and blogger extraordinaire William Eddins writes an excellent post about taking part in a music director search - as a prospective candidate - by the Charlotte Symphony.\u00c2\u00a0 Always candid, Eddins gives a unique viewpoint (and one rarely, if ever, heard in public) of the music director audition process from\u2026","rel":"","context":"In &quot;auditions&quot;","block_context":{"text":"auditions","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/auditions\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":281,"url":"https:\/\/www.nobleviola.com\/wordpress\/2007\/04\/18\/troubles-in-charlotte\/","url_meta":{"origin":650,"position":2},"title":"troubles in charlotte","author":"Charles Noble","date":"April 18, 2007","format":false,"excerpt":"I noticed this story about the Charlotte Symphony a few days ago, and just got around to reading it today. It presents a scenario that is chilling in that it shows a path which the Oregon Symphony might find itself if the right corrective measures aren't taken. Here is a\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1442,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/11\/17\/what-makes-conductors-good\/","url_meta":{"origin":650,"position":3},"title":"what makes conductors good?","author":"Charles Noble","date":"November 17, 2008","format":false,"excerpt":"Every time we have a guest conductor, I'm always amazed at how differently each of them handles their role on the podium in rehearsals, and how different the results can be.\u00c2\u00a0 This week we've been working with the Austrian conductor Christoph Campestrini.\u00c2\u00a0 He's conducted here once before (though I cannot\u2026","rel":"","context":"In &quot;conducting&quot;","block_context":{"text":"conducting","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/conducting\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2008\/11\/christoph-campestrini2-133x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3140,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/09\/19\/orchestra-news-roundup\/","url_meta":{"origin":650,"position":4},"title":"orchestra news roundup","author":"Charles Noble","date":"September 19, 2009","format":false,"excerpt":"As promised - enjoy! Philadelphia's search for a new executive director hits the one-year mark. Washington Post critic doesn't care for Alan Gilbert's debut in NYC. Canada gets its broadcast orchestra back. Christoph Eschenbach is a workaholic. Charlotte Symphony gets two $1 million donations in one day. Honolulu Symphony gets\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"underwood5small","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2009\/09\/underwood5small.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6901,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/09\/15\/smaller-orchestras-matter-more\/","url_meta":{"origin":650,"position":5},"title":"smaller orchestras matter more","author":"Charles Noble","date":"September 15, 2011","format":false,"excerpt":"At least that's what Bill Eddins says in his post from Thursday where he talks about how important it is for smaller ensembles to maintain that all-important personal connection with their audience. The larger the orchestra the more one can be removed from society in general, mainly because your life\u2026","rel":"","context":"In &quot;outreach&quot;","block_context":{"text":"outreach","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/outreach-music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/To-aCcbT1YU\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=650"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/650\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}