{"id":6402,"date":"2011-05-13T00:40:23","date_gmt":"2011-05-13T04:40:23","guid":{"rendered":"http:\/\/www.nobleviola.com\/?p=6402"},"modified":"2013-02-07T20:48:33","modified_gmt":"2013-02-08T04:48:33","slug":"yeah-we-rock","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/13\/yeah-we-rock\/","title":{"rendered":"yeah, we rock"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/devil-fingers-stop-sign.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6409\" title=\"devil-fingers-stop-sign\" src=\"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/devil-fingers-stop-sign-300x169.jpg?resize=300%2C169\" alt=\"\" width=\"300\" height=\"169\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/devil-fingers-stop-sign.jpg\"><\/a>There&#8217;s not much more to say, other than that Alex Ross, the music writer for The New Yorker <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/alexrossmusic\" target=\"_blank\">tweeted<\/a> after hearing our concert tonight:<em> <\/em><\/p>\n<blockquote><p><em>Triumphant Carnegie debut for the Oregon Symphony &#8212; best of Spring for Music so far. Eloquent Sylvan, explosive Vaughan Williams.<\/em><\/p><\/blockquote>\n<p>UPDATE 5\/13: David Stabler has his RAVE review <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/oregon_symphony_makes_searing.html\" target=\"_blank\">here<\/a>.<\/p>\n<blockquote><p>NEW YORK &#8212; They looked like they belonged. They played like they belonged. And for one night, the Oregon Symphony did indeed belong on the stage of Carnegie Hall.<\/p>\n<p>Triumph is a strong word, but after the orchestra\u2019s debut in New York, Thursday, it fit the occasion. Historically, New Yorkers had to wait for the early morning papers to find out what the critics thought about a play or concert. No more. Immediately following the ovations, when music director Carlos Kalmar was recalled to the stage four times, Alex Ross, the respected music critic for the New Yorker magazine, tweeted his reaction: \u201cTriumphant Carnegie debut for the Oregon Symphony &#8212; best of Spring for Music so far.\u201d<\/p><\/blockquote>\n<p><span style=\"color: #ff0000;\">UPDATE<\/span>: If you missed the live simulcast, you can listen online to an archived recording of the broadcast <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/the-oregon-symphonys-intimations-of-conflict-at-carnegie-hall?ft=1&amp;f=10003\" target=\"_blank\">here<\/a>.<\/p>\n<p>We quite frankly nearly blew the roof off of the place. It was a moment that was long in coming. It was built not just in the last eight years since Carlos arrived as our music director, though it&#8217;s undeniable that his impact on the artistic health of the organization has been positively huge. But before Carlos, there were generations of dedicated musicians and the previous music directors, and managers, and support staff. They, too, all made last night possible.<\/p>\n<p>We were also, as an orchestra and as an organization, ready for this trip. We were in the perfect position to make the maximum impact. We have thrown a rock into the pond that will send ripples out for the\u00a0foreseeable\u00a0future. The little orchestra that could came and did. We not only punched above our weight, we k.o.&#8217;d the heavyweight champ.<\/p>\n<ul>\n<li>David Stabler&#8217;s <em>Oregonian<\/em> <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/oregon_symphony_makes_searing.html\" target=\"_blank\">review<\/a> of the Carnegie concert.<\/li>\n<li><em>The Oregonian<\/em> <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/crowd_critics_react_to_oregon.html\" target=\"_blank\">coverage<\/a> of the Carnegie concert.<\/li>\n<li>The <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/v5.aspx?Id=24811&amp;ThemeId=476\" target=\"_blank\">chat room<\/a> at NPR&#8217;s live broadcast of the concert.<\/li>\n<li>NPR&#8217;s <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/the-oregon-symphonys-intimations-of-conflict-at-carnegie-hall?ft=1&amp;f=10210144\" target=\"_blank\">page<\/a> dedicated to the concert.<\/li>\n<li><em>The Oregonian<\/em> <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/carlos_kalmar_happy_with_the_o.html\" target=\"_blank\">article<\/a> on the Carnegie rehearsal.<\/li>\n<li>Video <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/ec1jcp0k\" target=\"_blank\">feature<\/a> from <em>The Oregonian<\/em> about the Carnegie rehearsal.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; There&#8217;s not much more to say, other than that Alex Ross, the music writer for The New Yorker tweeted after hearing our concert tonight: Triumphant Carnegie debut for the Oregon Symphony &#8212; best of Spring for Music so far. Eloquent Sylvan, explosive Vaughan Williams. UPDATE 5\/13: David Stabler has his RAVE review here. NEW [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[2373,3668,2665],"class_list":["post-6402","post","type-post","status-publish","format-standard","hentry","category-the-orchestra-world","tag-carnegie-hall","tag-oregon-symphony","tag-spring-for-music-festival"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/pa8kC-1Fg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6469,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/18\/complete-list-of-oregon-symphony-carnegie-coverage\/","url_meta":{"origin":6402,"position":0},"title":"complete list of oregon symphony carnegie coverage","author":"Charles Noble","date":"May 18, 2011","format":false,"excerpt":"\u00a0 Well, almost complete, there are still reviews trickling in - the latest is at Musical America's online site, as pointed out by James Bash at Oregon Music News. Read the list, compiled by Oregon Symphony marketing staffer Stephanie Wilkinson, here.","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/iStock_000005888672XSmall.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6323,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/06\/more-coverage-for-carnegie-visit\/","url_meta":{"origin":6402,"position":1},"title":"more coverage for carnegie visit","author":"Charles Noble","date":"May 6, 2011","format":false,"excerpt":"\u00a0 The New York Times' music critic James Oestreich has written an article today about the Spring for Music Festival, which is presenting the Oregon Symphony and six other orchestras from around the US and Canada starting this evening with the Orpheus Chamber Orchestra. Here's the excerpt about the Oregon\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/iStock_000005888672XSmall.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6269,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/01\/oregon-symphony-in-nytimes\/","url_meta":{"origin":6402,"position":2},"title":"oregon symphony in nytimes","author":"Charles Noble","date":"May 1, 2011","format":false,"excerpt":"\u00a0 Pick up a print copy of the New York Times today, and you'll see a photo of our very own OSO trumpet and low brass section on the front page of the Arts section as part of an article about the Spring for Music Festival at Carnegie Hall in\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/Spring-for-Music-Festival-to-Open-at-Carnegie-Hall-NYTimes.com_-e1304273825868.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7838,"url":"https:\/\/www.nobleviola.com\/wordpress\/2012\/09\/10\/nytimes-takes-note-of-oregon-symphonys-2013-carnegie-program\/","url_meta":{"origin":6402,"position":3},"title":"nytimes takes note of oregon symphony&#8217;s 2013 carnegie program","author":"Charles Noble","date":"September 10, 2012","format":false,"excerpt":"From the list of its most anticipated classical music events in today's New York Times: SPRING FOR MUSIC This annual festival of North American orchestras, conceived by top music professionals to encourage and reward adventurous programming, has in its first two seasons effectively filled what it has shown to be\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2311,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/04\/09\/a-few-more-carnegie-details\/","url_meta":{"origin":6402,"position":4},"title":"a few more carnegie details","author":"Charles Noble","date":"April 9, 2009","format":false,"excerpt":"The OSO's press release: Apr. 9, 2009 BOUND FOR THE BIG APPLE: OREGON SYMPHONY WILL PLAY CARNEGIE HALL IN 2011 (PORTLAND, Ore.) - For the first time in its history, the Oregon Symphony will travel cross country in spring 2011 to perform a concert at music's most prestigious venue, Carnegie\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/news\/"},"img":{"alt_text":"carnegie hall stage entrance","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2007\/06\/img_8304.thumbnail.JPG?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6513,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/30\/alex-ross-on-the-oregon-symphony-at-carnegie\/","url_meta":{"origin":6402,"position":5},"title":"alex ross on the oregon symphony at carnegie","author":"Charles Noble","date":"May 30, 2011","format":false,"excerpt":"\u00a0 This week's issue of the New Yorker has music critic and arts writer Alex Ross' thoughts on the Spring for Music Festival and the Oregon Symphony's program and performance at Carnegie Hall earlier this month. The verdict? He liked it. A lot. Here's an excerpt from the article: ....\u201dGreat\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/nyrossillus-e1306742824267.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/6402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=6402"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/6402\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=6402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=6402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=6402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}