{"id":6294,"date":"2011-05-04T14:25:55","date_gmt":"2011-05-04T18:25:55","guid":{"rendered":"http:\/\/www.nobleviola.com\/?p=6294"},"modified":"2013-02-07T20:46:08","modified_gmt":"2013-02-08T04:46:08","slug":"alex-ross-looking-forward-to-oso-program-at-carnegie","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/04\/alex-ross-looking-forward-to-oso-program-at-carnegie\/","title":{"rendered":"alex ross looking forward to oso program at carnegie"},"content":{"rendered":"<p>From Alex&#8217;s <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/misc.html\" target=\"_blank\">blog<\/a> today:<\/p>\n<div id=\"main\">\n<div id=\"chrome\">\n<blockquote><p>Spring for Music, which Tony Tommasini discussed in last Sunday&#8217;s New York Times, begins on Friday. Tickets are at most $25; WQXR will broadcast all the concerts live. I&#8217;m particularly looking forward to the Oregon Symphony&#8217;s war-torn program of Ives&#8217;s Unanswered Question, John Adams&#8217;s The Wound-Dresser (with the great Sanford Sylvan), Britten&#8217;s Sinfonia da Requiem, and Vaughan Williams&#8217;s Fourth Symphony&#8230;.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<table id=\"chrome-viewer-container\">\n<tbody><\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Alex&#8217;s blog today: Spring for Music, which Tony Tommasini discussed in last Sunday&#8217;s New York Times, begins on Friday. Tickets are at most $25; WQXR will broadcast all the concerts live. I&#8217;m particularly looking forward to the Oregon Symphony&#8217;s war-torn program of Ives&#8217;s Unanswered Question, John Adams&#8217;s The Wound-Dresser (with the great Sanford Sylvan), [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[225,1045,2],"tags":[2382,2373,3668],"class_list":["post-6294","post","type-post","status-publish","format-standard","hentry","category-bloggers","category-programming-music","category-the-orchestra-world","tag-alex-ross","tag-carnegie-hall","tag-oregon-symphony"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-1Dw","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6513,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/30\/alex-ross-on-the-oregon-symphony-at-carnegie\/","url_meta":{"origin":6294,"position":0},"title":"alex ross on the oregon symphony at carnegie","author":"Charles Noble","date":"May 30, 2011","format":false,"excerpt":"\u00a0 This week's issue of the New Yorker has music critic and arts writer Alex Ross' thoughts on the Spring for Music Festival and the Oregon Symphony's program and performance at Carnegie Hall earlier this month. The verdict? He liked it. A lot. Here's an excerpt from the article: ....\u201dGreat\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/nyrossillus-e1306742824267.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6402,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/13\/yeah-we-rock\/","url_meta":{"origin":6294,"position":1},"title":"yeah, we rock","author":"Charles Noble","date":"May 13, 2011","format":false,"excerpt":"\u00a0 There's not much more to say, other than that Alex Ross, the music writer for The New Yorker tweeted after hearing our concert tonight: Triumphant Carnegie debut for the Oregon Symphony -- best of Spring for Music so far. Eloquent Sylvan, explosive Vaughan Williams. UPDATE 5\/13: David Stabler has\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/devil-fingers-stop-sign-300x169.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6934,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/09\/29\/oregon-symphony-carnegie-program-recording\/","url_meta":{"origin":6294,"position":2},"title":"oregon symphony carnegie program recording","author":"Charles Noble","date":"September 29, 2011","format":false,"excerpt":"The Oregon Symphony's recording (made live in Portland from two performances at Arlene Schnitzer Concert Hall) of its acclaimed Carnegie Hall program is up for pre-order on Amazon.com. It's being released for shipment on October 25th. The Pentatone label is producing the disc, and they are known for their extraordinary\u2026","rel":"","context":"In &quot;recordings&quot;","block_context":{"text":"recordings","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/recordings-music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/09\/41e3LySuTxL._SL500_AA300_.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7838,"url":"https:\/\/www.nobleviola.com\/wordpress\/2012\/09\/10\/nytimes-takes-note-of-oregon-symphonys-2013-carnegie-program\/","url_meta":{"origin":6294,"position":3},"title":"nytimes takes note of oregon symphony&#8217;s 2013 carnegie program","author":"Charles Noble","date":"September 10, 2012","format":false,"excerpt":"From the list of its most anticipated classical music events in today's New York Times: SPRING FOR MUSIC This annual festival of North American orchestras, conceived by top music professionals to encourage and reward adventurous programming, has in its first two seasons effectively filled what it has shown to be\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6323,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/06\/more-coverage-for-carnegie-visit\/","url_meta":{"origin":6294,"position":4},"title":"more coverage for carnegie visit","author":"Charles Noble","date":"May 6, 2011","format":false,"excerpt":"\u00a0 The New York Times' music critic James Oestreich has written an article today about the Spring for Music Festival, which is presenting the Oregon Symphony and six other orchestras from around the US and Canada starting this evening with the Orpheus Chamber Orchestra. Here's the excerpt about the Oregon\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/iStock_000005888672XSmall.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6469,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/18\/complete-list-of-oregon-symphony-carnegie-coverage\/","url_meta":{"origin":6294,"position":5},"title":"complete list of oregon symphony carnegie coverage","author":"Charles Noble","date":"May 18, 2011","format":false,"excerpt":"\u00a0 Well, almost complete, there are still reviews trickling in - the latest is at Musical America's online site, as pointed out by James Bash at Oregon Music News. Read the list, compiled by Oregon Symphony marketing staffer Stephanie Wilkinson, here.","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/05\/iStock_000005888672XSmall.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/6294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=6294"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/6294\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=6294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=6294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=6294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}