{"id":624,"date":"2007-12-29T21:02:09","date_gmt":"2007-12-30T05:02:09","guid":{"rendered":"http:\/\/www.nobleviola.com\/wordpress\/2007\/12\/29\/letters-in-response-to-seattle-nytimes-article\/"},"modified":"2013-02-07T18:27:40","modified_gmt":"2013-02-08T02:27:40","slug":"letters-in-response-to-seattle-nytimes-article","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2007\/12\/29\/letters-in-response-to-seattle-nytimes-article\/","title":{"rendered":"letters in response to Seattle NYTimes article"},"content":{"rendered":"<p>In the upcoming Sunday edition of the New York Times, several letters are printed in the Arts section &#8211; you can read the complete letters (as printed) <a href=\"http:\/\/www.nytimes.com\/2007\/12\/30\/arts\/30letters.html?ex=1356584400&amp;en=b274c3a8e4f7b6ea&amp;ei=5124&amp;partner=permalink&amp;exprod=permalink\">here<\/a>.<\/p>\n<p>Here are some of the best parts of some of them:<!--more--><\/p>\n<blockquote><p>&#8230;The implication that I was hired by <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2007\/12\/index1.html?inline=nyt-per\" title=\"More articles about Gerard Schwarz\">Gerard Schwarz<\/a> because of friendship rather than the urgent need to acquire the best possible principal horn player is difficult to get past without laughing. Nobody hires a friend to walk that tightrope. Anybody who knows orchestras knows that&#8230;<\/p>\n<p>~  John Cerminaro, principal horn, Seattle Symphony<\/p><\/blockquote>\n<p>and<\/p>\n<blockquote><p>We, the musicians of the Seattle Symphony, are not proud that you have elevated our discord to national examination. We acknowledge the issues raised in the article and hope that it may prove effective in this Symphony\u00e2\u20ac\u2122s improvement and advancement.<\/p>\n<p>For many in our bargaining unit, the article reflects years of widespread frustration. The few cases specifically cited are relatively fresh, indicative of our daily experience in this organization. The Kaman trial provides a focal point, but the issue of a safe, nonthreatening work environment applies to everyone.<\/p>\n<p>~  Michael Crusoe, principal tympanist and chair of the orchestra committee, Seattle Symphony<\/p><\/blockquote>\n<p>and<\/p>\n<blockquote><p>While the Seattle Symphony\u00e2\u20ac\u2122s travails may shock many classical fans, the reality is that the symphony\u00e2\u20ac\u2122s problems mirror those of many American orchestras: deeply entrenched and disliked conductors, bitter musicians and ineffectual boards. And it\u00e2\u20ac\u2122s not surprising that management has not considered the mood of the orchestra.<\/p>\n<p>Gerard Schwarz may be credited with raising the Seattle Symphony to new heights, but his new policy of using four concertmasters is clearly intended to diffuse power and any possibility of dissent.<\/p>\n<p>~  Scott Cole, Ashland, Ore.<\/p><\/blockquote>\n<p>and<\/p>\n<blockquote><p>There are a pretty fair number of horn players who have published recordings of the solo literature, and Cerminaro is just about the best. I recently played the recording of his live performance of the Gliere concerto for my current teacher, a Ukrainian for whom this is biblical text, and was not surprised to hear him say it was the best he had heard. Your writers should have given your readers a hint about Cerminaro\u00e2\u20ac\u2122s exceptional stature, with whatever qualifications they wanted to add.<\/p>\n<p>~  Joe Ryan, Cairo<\/p><\/blockquote>\n<p>and<\/p>\n<blockquote><p> What is motivating this ugly regurgitation of the same issues, reported in the same biased, one-sided overdramatized manner? There is really nothing new in this article that has not already been dragged through the mud.<\/p>\n<p>Every day I, and the vast majority of Seattle Symphony musicians, come to work to do our personal best, hoping to contribute to the whole and are thrilled to have landed in an orchestra that plays in a beautiful hall, sells lots of tickets and raises lots of money. (By the way, that is newsworthy, because many American orchestras are struggling to survive.)<\/p>\n<p>I may be afraid that I might miss an important entrance, or that I might drop my mute and make an embarrassing racket, but I am most definitely not afraid of my colleagues or my conductor.<\/p>\n<p>~  Susan Carroll, third horn, Seattle Symphony<\/p><\/blockquote>\n<p>and<\/p>\n<blockquote><p>I have lived in Seattle now for 10 years and was an avid symphonygoer before I arrived here. I am still avid, but I refuse to go to Seattle Symphony concerts conducted by Gerard Schwarz, and I refuse to donate to the orchestra.<\/p>\n<p>Mr. Schwarz cannot lead his orchestra to produce anything I want to listen to. Most telling is his incompetent reading of <a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2007\/12\/index2.html?inline=nyt-per\" title=\"More articles about Ludwig Van Beethoven.\">Beethoven<\/a>. I realize there is a great deal else to listen to, but how can a conductor mangle Beethoven as badly as Mr. Schwarz does, and still remain at the head of an orchestra that aspires to be among the top ranked in the United States?<\/p>\n<p>~  Ward Beattie, Seattle<\/p><\/blockquote>\n<blockquote><\/blockquote>\n<blockquote><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>In the upcoming Sunday edition of the New York Times, several letters are printed in the Arts section &#8211; you can read the complete letters (as printed) here. Here are some of the best parts of some of them:<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[186,115,2],"tags":[67,86,265,112,3669,3663,3655,55,203,263,62,3659],"class_list":["post-624","post","type-post","status-publish","format-standard","hentry","category-labor-issues","category-music","category-the-orchestra-world","tag-classical","tag-conductor","tag-horn","tag-management","tag-music","tag-musicians","tag-news","tag-orchestra","tag-schwarz","tag-seattle-symphony","tag-symphony","tag-violin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-a4","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":593,"url":"https:\/\/www.nobleviola.com\/wordpress\/2007\/12\/15\/damning-article-on-seattle-symphony\/","url_meta":{"origin":624,"position":0},"title":"damning article on seattle symphony","author":"Charles Noble","date":"December 15, 2007","format":false,"excerpt":"The New York Times today published an article of not insignificant length dedicated to the Seattle Symphony and its intense level of discord between its musicians and its music director and conductor Gerard Schwarz. Music In Seattle, a Fugue for Orchestra and Rancor By DANIEL J. WAKIN and JAMES R.\u2026","rel":"","context":"In &quot;labor issues&quot;","block_context":{"text":"labor issues","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/labor-issues\/"},"img":{"alt_text":"conductor Gerard Schwarz","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2007\/12\/16waki190.1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1113,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/09\/10\/schwarz-to-leave-seattle-symphony\/","url_meta":{"origin":624,"position":1},"title":"schwarz to leave seattle symphony","author":"Charles Noble","date":"September 10, 2008","format":false,"excerpt":"In a stunning announcement, the Seattle Symphony has issued a release stating that music director Gerard Schwarz will be stepping down at the conclusion of the 2010 - 2011 season. He will take on the role of conductor laureate beginning in 2011. Seattle, WA\u00a0\u201c Gerard Schwarz, Seattle Symphony's Music Director\u2026","rel":"","context":"In &quot;conducting&quot;","block_context":{"text":"conducting","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/conducting\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.seattlesymphony.org\/~\/media\/images\/artist%20226x280\/orchestra\/schwarzgerard1cbenvanhouten2202013copy.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":668,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/01\/17\/more-seattle-news\/","url_meta":{"origin":624,"position":2},"title":"more seattle news","author":"Charles Noble","date":"January 17, 2008","format":false,"excerpt":"The Seattle Weekly has printed an article centering around the \"one-woman law firm\" of Brenda Little and her lawsuit against Gerard Schwarz and the Seattle Symphony on behalf of violinist Peter Kaman. Read the entire article here. Here's a tidbit: Tuxedo Disjunction Not every toxic work situation can be remedied\u2026","rel":"","context":"In &quot;labor issues&quot;","block_context":{"text":"labor issues","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/labor-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4317,"url":"https:\/\/www.nobleviola.com\/wordpress\/2010\/04\/01\/oso-music-director-to-seattle\/","url_meta":{"origin":624,"position":3},"title":"oso music director to seattle","author":"Charles Noble","date":"April 1, 2010","format":false,"excerpt":"In a stunning announcement to a small group of musicians, staff and board members in Seattle's Benaroya Hall, Carlos Kalmar announced that he will be taking the helm of the Seattle Symphony after current music director Gerard Schwarz ends his tenure at the close of the 2010 - 2011 season.\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":598,"url":"https:\/\/www.nobleviola.com\/wordpress\/2007\/12\/18\/seattle-symphony-responds-to-nytimes-article\/","url_meta":{"origin":624,"position":4},"title":"seattle symphony responds to nytimes article","author":"Charles Noble","date":"December 18, 2007","format":false,"excerpt":"Seattle's Crosscut.com obtained a copy of an email sent out by the SSO executive director Thomas Phillion, which might be considered the first emergency response of the damage control effort. Here's the meat of the email: While there are some positive aspects to the story, much of it concerns old\u2026","rel":"","context":"In &quot;labor issues&quot;","block_context":{"text":"labor issues","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/labor-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3693,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/12\/30\/strike-authorization-in-seattle\/","url_meta":{"origin":624,"position":5},"title":"strike authorization in seattle","author":"Charles Noble","date":"December 30, 2009","format":false,"excerpt":"Things aren't looking good up north at the Seattle Symphony, with the musicians and management far apart on numbers for a new contract between the two parties.\u00a0 According to this Seattle Times article, a vote to authorize a strike action from the negotiation committee was approved by the rank and\u2026","rel":"","context":"In &quot;labor issues&quot;","block_context":{"text":"labor issues","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/labor-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=624"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/624\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}