{"id":422,"date":"2007-08-24T11:51:30","date_gmt":"2007-08-24T19:51:30","guid":{"rendered":"http:\/\/www.nobleviola.com\/wordpress\/2007\/08\/24\/back-to-school-quiz\/"},"modified":"2013-02-07T18:13:55","modified_gmt":"2013-02-08T02:13:55","slug":"back-to-school-quiz","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2007\/08\/24\/back-to-school-quiz\/","title":{"rendered":"back to school quiz"},"content":{"rendered":"<p><a href=\"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2007\/08\/salvati-dunque-e-scolpati.html\">Soho the Dog<\/a> has posted his back to school classical music quiz, which I&#8217;ll reproduce here (and give my own answers).\u00c2\u00a0 Remember, there&#8217;s no such thing as a dumb answer, just a dumb person!<\/p>\n<p><strong>1. What&#8217;s the best quotation of a piece of music within another piece of music?<\/strong><br \/>\nBeethoven&#8217;s <em>Moonlight<\/em> Sonata in the last movement of Shostakovich&#8217;s Viola Sonata<\/p>\n<p><strong> 2. Name the best classical crossover album ever made.<\/strong><br \/>\nYo-yo Ma&#8217;s <em>Soul of the Tango<\/em><strong><\/p>\n<p>3. Great piece with a terrible title.<br \/>\n<\/strong>John Adams&#8217; <em>The Wound Dresser<\/em><strong><br \/>\n<\/strong><\/p>\n<p><strong>4. If you had to choose: Benjamin Britten or Michael Tippett?<br \/>\n<\/strong>Britten all the way, baby.<strong><\/p>\n<p>5. Who&#8217;s your favorite spouse of a composer\/performer? (Besides your own.)<br \/>\n<\/strong>Richard Strauss&#8217; wife Anna de Ahna, she must have been a piece of work!<strong><\/p>\n<p>6. Terrible piece with a great title.<br \/>\n<\/strong>Beethoven&#8217;s <em>Creatures of Prometheus<\/em>, I still can&#8217;t get over my disappointment upon first hearing this work after being excited by the title.<strong><\/p>\n<p>7. What&#8217;s the best use of a classical warhorse in a Hollywood movie?<br \/>\n<\/strong>The <em>Dies Irae<\/em> of Mozart&#8217;s <em>Requiem<\/em> in <em>Amadeus<\/em>.<br \/>\n<strong><br \/>\n8. Name the worst classical crossover album ever made.<br \/>\n<\/strong>Anything by that artistic abortion <em>Il Divo<\/em> &#8211; ooh, I think I threw up a little in my mouth&#8230;<strong><\/p>\n<p>9. If you had to choose: Sam Cooke or Marvin Gaye?<br \/>\n<\/strong><em>If the stars align just right, who needs to choose &#8211; shuffle &#8217;em both in the iPod!<\/em><strong><\/p>\n<p>10. Name a creative type in a non-musical medium who would have been a great composer.<br \/>\n<\/strong>Mikhail Baryshnikov &#8211; imagine if he did the same for virtuosity and extension of the vocabulary of dance in music!<br \/>\n<strong><br \/>\nEXTRA CREDIT:<\/p>\n<p><em>For opera nerds:<\/em> If you had to choose:<br \/>\na) Lawrence Tibbett or Robert Merrill?<br \/>\nb) Amelita Galli-Curci or Lily Pons?<\/strong><\/p>\n<p>I pass on this one.<\/p>\n<p><strong><br \/>\n<em>For early-music nerds:<\/em> Name a completely and hopelessly historically <em>un<\/em>informed recording that you nevertheless love.<\/strong><\/p>\n<p>The Philadelphia Orchestra&#8217;s recording of the Bach\/Stokowski <em>Air on the G-string.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Soho the Dog has posted his back to school classical music quiz, which I&#8217;ll reproduce here (and give my own answers).\u00c2\u00a0 Remember, there&#8217;s no such thing as a dumb answer, just a dumb person! 1. What&#8217;s the best quotation of a piece of music within another piece of music? Beethoven&#8217;s Moonlight Sonata in the last [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[67,55,3656,3660],"class_list":["post-422","post","type-post","status-publish","format-standard","hentry","category-the-orchestra-world","tag-classical","tag-orchestra","tag-the-orchestra-world","tag-viola"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-6O","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":257,"url":"https:\/\/www.nobleviola.com\/wordpress\/2007\/04\/01\/april-fool\/","url_meta":{"origin":422,"position":0},"title":"april fool","author":"Charles Noble","date":"April 1, 2007","format":false,"excerpt":"Happy April Fool's Day! As a violist, I take special pride in what is, along with bassoonists, our special day. It's been a busy week. I've been in rehearsals for the two different concerts that we're doing with the OSO this week: the subscription classical series which involves Leonard Bernstein's\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5828,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/02\/20\/thoughts-on-the-upcoming-season\/","url_meta":{"origin":422,"position":1},"title":"thoughts on the upcoming season","author":"Charles Noble","date":"February 20, 2011","format":false,"excerpt":"As promised (or threatened), here are my thoughts on the upcoming 2011-2012 season which was just announced today (or yesterday, if you are an Oregonian reader). To keep it simple, I'll divide the comments into two sections - artists, and repertoire. Artists The new season continues with the same level\u2026","rel":"","context":"In &quot;programming&quot;","block_context":{"text":"programming","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/programming-music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/02\/RF7_CREDIT_DECCA_ANDREWECCLES-300x400.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12981,"url":"https:\/\/www.nobleviola.com\/wordpress\/2013\/09\/15\/20-years-since-aldeburgh\/","url_meta":{"origin":422,"position":2},"title":"20 years since Aldeburgh","author":"Charles Noble","date":"September 15, 2013","format":false,"excerpt":"I was looking at my part to Hindemith's Der Schwanendreher (a concerto for viola and orchestra) when I noticed the inscription I'd written at the top of the viola part (I have this habit of writing dates\/places of performances of pieces at the top of the part). It was nearly\u2026","rel":"","context":"In &quot;viola&quot;","block_context":{"text":"viola","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/instruments\/viola\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/09\/9765952635_652b003e66_o.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/09\/9765952635_652b003e66_o.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/09\/9765952635_652b003e66_o.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/09\/9765952635_652b003e66_o.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/09\/9765952635_652b003e66_o.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/09\/9765952635_652b003e66_o.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":3264,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/10\/15\/heat-up-cool-down\/","url_meta":{"origin":422,"position":3},"title":"heat up, cool down","author":"Charles Noble","date":"October 15, 2009","format":false,"excerpt":"This is the time of year where a curious shift happens: the classical music season heats up, while the weather outside cools down. \u00a0This post in just going to be a hodge-podge of random thoughts, truly full of daily observations, rather than what is usually posted here (not sure what\u2026","rel":"","context":"In &quot;recordings&quot;","block_context":{"text":"recordings","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/recordings-music\/"},"img":{"alt_text":"","src":"http:\/\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2009\/10\/ir?t=dailyobservat-20&l=ur2&o=1","width":350,"height":200},"classes":[]},{"id":6327,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/05\/07\/sancho-rules\/","url_meta":{"origin":422,"position":4},"title":"sancho rules!","author":"Charles Noble","date":"May 7, 2011","format":false,"excerpt":"Was trolling YouTube for cool classical performances (no, that's NOT an oxymoron!), and found a hidden jewel: a 2004 Philadelphia Orchestra performance of Strauss' Don Quixote with Yo-Yo Ma as the famous man from La Mancha, and my former teacher Roberto Diaz as his faithful sidekick, Sancho Panza. Not surprisingly,\u2026","rel":"","context":"In &quot;soloists &amp; recitals&quot;","block_context":{"text":"soloists &amp; recitals","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/soloists-recitals\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/PT3gi6Esfo8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5966,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/03\/13\/marz-oddz-and-endz\/","url_meta":{"origin":422,"position":5},"title":"marz oddz and endz","author":"Charles Noble","date":"March 13, 2011","format":false,"excerpt":"The Arnica Quartet is in the midst of rehearsing for a very interesting program, part of Marzena's March Music Moderne series, that's coming up at 8:00 p.m. Friday, March 25th at the Community Music Center, 3350 SE Francis (free admission). There are several works for the full quartet: the world\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/03\/marzena-256x400.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=422"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/422\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}