{"id":3354,"date":"2009-11-15T12:24:31","date_gmt":"2009-11-15T20:24:31","guid":{"rendered":"http:\/\/www.nobleviola.com\/wordpress\/?p=3354"},"modified":"2013-02-07T20:00:54","modified_gmt":"2013-02-08T04:00:54","slug":"mozart-dutilleux-and-more","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2009\/11\/15\/mozart-dutilleux-and-more\/","title":{"rendered":"mozart, dutilleux, and more"},"content":{"rendered":"

Monday marks the beginning of the rehearsal period for our next Classical concert<\/a>, November 21-23. \u00a0Conducted by Resident conductor Gregory Vajda, this program will feature a pretty diverse group of compositions.<\/p>\n\n

Though not the major work on the program, Mozart’s Sinfonia Concertante for winds will feature four of our outstanding wind principals: David Buck, flute; Martin Hebert, oboe; Carin Miller, bassoon; and John Cox, horn.\u00a0 It’s a wonderful work, and is one of those discovered pieces in which the solo parts and a rough score were found in Mozart’s own hand, but for which there was no autograph of a completed score.\u00a0 The orchestral parts were most recently reconstructed by musicologist\/pianist Robert Levin.\u00a0 Here’s a short video introduction to the piece by New York Philharmonic music director Alan Gilbert:<\/p>\n

<\/object><\/p>\n

Also on the program: the Second Symphony “Double” of Henri Dutilleux.\u00a0 It’s entitled the Double because it features a smaller ensemble pitted against the larger full orchestra.\u00a0 It’s an early piece of Dutilleux, who is considered to be the heir to the tradition of Debussy and Ravel, and is one of the first pieces where his mature voice emerges.\u00a0 What is his sound world? Think early Webern and Schoenberg as they relate to Brahms and Mahler.\u00a0 His music is tonal, very French in its outlook, but decidedly modern, with hints of the Impressionist school clearly in evidence.<\/p>\n

An early overture of Mendelssohn opens the program, and the (sorry for the cliche) swashbuckling Le Corsaire Overture of Berlioz closes the program.<\/p>\n","protected":false},"excerpt":{"rendered":"

Monday marks the beginning of the rehearsal period for our next Classical concert, November 21-23. \u00a0Conducted by Resident conductor Gregory Vajda, this program will feature a pretty diverse group of compositions. Though not the major work on the program, Mozart’s Sinfonia Concertante for winds will feature four of our outstanding wind principals: David Buck, flute; […]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[183,1045,135,2],"tags":[1694,63,265,3668],"class_list":["post-3354","post","type-post","status-publish","format-standard","hentry","category-contemporary","category-programming-music","category-soloists-recitals","category-the-orchestra-world","tag-david-buck","tag-flute","tag-horn","tag-oregon-symphony"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-S6","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7732,"url":"https:\/\/www.nobleviola.com\/wordpress\/2012\/07\/06\/flutist-buck-goes-to-detroit\/","url_meta":{"origin":3354,"position":0},"title":"flutist buck goes to detroit","author":"Charles Noble","date":"July 6, 2012","format":false,"excerpt":"David Buck, former principal flute of the Oregon Symphony, then of the Los Angeles Philharmonic (where circumstances conspired to deny him tenure in his position), has won the principal job with the Detroit Symphony, according to Los Angeles culture blogger CK Dexter Haven. David remains the \"flute god\" as described\u2026","rel":"","context":"In "auditions"","block_context":{"text":"auditions","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/auditions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2010\/01\/large_buck.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":937,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/04\/22\/mahler-9-i-andante-comodo\/","url_meta":{"origin":3354,"position":1},"title":"mahler 9 – I. Andante comodo","author":"Charles Noble","date":"April 22, 2008","format":false,"excerpt":"Stuttering, arrhythmic, heartbeat rhythms in the horn and cellos, hesitant fragments of a melody in the distant french horn, then the rocking of the harp, and the first ineffably sad song of melancholic longing in the strings accompanied by restlessly rustling sextuplets in the violas. It's the opening of Mahler's\u2026","rel":"","context":"In "appreciation"","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3875,"url":"https:\/\/www.nobleviola.com\/wordpress\/2010\/01\/24\/flutist-makes-impression-in-pittsburgh\/","url_meta":{"origin":3354,"position":2},"title":"flutist makes impression in pittsburgh","author":"Charles Noble","date":"January 24, 2010","format":false,"excerpt":"If you came to tonight's Oregon Symphony concert (and given the modest numbers in attendance, you most likely did not), you might have noticed that our principal flutist, David Buck, was not on stage.\u00a0 (He was capably covered for by assistant principal flutist Alicia DiDonato Paulsen in many solo turns\u2026","rel":"","context":"In "appreciation"","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":96,"url":"https:\/\/www.nobleviola.com\/wordpress\/2006\/11\/10\/digital-scholarship\/","url_meta":{"origin":3354,"position":3},"title":"digital scholarship","author":"Charles Noble","date":"November 10, 2006","format":false,"excerpt":"I was randomly surfing around the Web last night and happened upon a couple great resources: first is the Library on Congress' Internet Resources for Music, Theater and Dance. It is a page designed primarily for researchers looking for in-depth information that can be found in the major repositories of\u2026","rel":"","context":"In "the orchestra world"","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1772,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/01\/25\/iwasaki-korngold-strauss-this-week\/","url_meta":{"origin":3354,"position":4},"title":"iwasaki, korngold & strauss this week","author":"Charles Noble","date":"January 25, 2009","format":false,"excerpt":"We're halfway through the current pops run (plus one runout to Salem on Monday night) of Broadway classics\/favorites, and now thoughts turn to the upcoming Classical series for next weekend. A highlight will be the solo debut of concertmaster Jun Iwasaki, playing the gorgeous Korngold Violin Concerto, Op. 35. The\u2026","rel":"","context":"In "appreciation"","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"jun-iwasaki_casual_absolute-images","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2009\/01\/jun-iwasaki_casual_absolute-images-133x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8031,"url":"https:\/\/www.nobleviola.com\/wordpress\/2012\/11\/20\/strauss-mozart-posthorns-and-end-of-life-issues\/","url_meta":{"origin":3354,"position":5},"title":"strauss, mozart, posthorns, and end of life issues","author":"Charles Noble","date":"November 20, 2012","format":false,"excerpt":"I'm working on the program notes for the Oregon Symphony's January 26-28, 2013 concerts, which will be a series you won't want to miss. The first half is given to Mozart's magnificent Serenade No. 9 in D major, K. 320 \"The Posthorn\". Now, with a nickname like that, you'd expect\u2026","rel":"","context":"In "recordings"","block_context":{"text":"recordings","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/recordings-music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2012\/11\/strauss-300x227.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/3354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=3354"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/3354\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=3354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=3354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=3354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}