{"id":24427,"date":"2025-04-16T18:40:41","date_gmt":"2025-04-17T01:40:41","guid":{"rendered":"https:\/\/www.nobleviola.com\/wordpress\/?p=24427"},"modified":"2025-04-16T18:50:57","modified_gmt":"2025-04-17T01:50:57","slug":"listening-in-the-wilderness","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2025\/04\/16\/listening-in-the-wilderness\/","title":{"rendered":"Listening in the Wilderness"},"content":{"rendered":"\n<h6 class=\"wp-block-heading has-text-align-center\">guest blog post<\/h6>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-center\">A Personal Reflection on Lenten Choral Music<\/h6>\n\n\n\n<p>There\u2019s something about the music of Lent that feels like stepping into a dark forest, with sunlight streaming through the trees. The world quiets down. Time feels slower. As a choral musician, I\u2019ve always been drawn to this season\u2014not just because of its spiritual significance, but because of the soundscape it creates. Lent doesn\u2019t beg for grandeur. It doesn\u2019t sparkle. It listens. It waits.<\/p>\n\n\n\n<p>Unlike the jubilant brilliance of Christmas or Easter, Lenten music often lives in minor modes, with gentle dissonances that ache more than they resolve. There\u2019s a tenderness in the restraint, a kind of sacred intimacy. It gives you space to reflect and it doesn\u2019t rush to comfort you.<\/p>\n\n\n\n<p>I had the pleasure of attending this past weekend\u2019s Palm Sunday concert, sung by <em><a href=\"https:\/\/cantoresinecclesia.org\/\" data-type=\"link\" data-id=\"https:\/\/cantoresinecclesia.org\/\">Cantores in Ecclesia<\/a><\/em>, featuring Robert White&#8217;s <em>Lamentations of Jeremiah<\/em> \u00e0 5, Carlo Gesualdo&#8217;s <em>Tenebrae Responsoria<\/em>, and Francis Poulenc&#8217;s <em>Quatre motets pour un temps de p\u00e9nitence<\/em>. Poulenc\u2019s motets are a challenge for even the most seasoned professional choirs, and<em> <\/em>Cantores performed them with both precision and expressive beauty. The concert made my heart ache\u2014in that rare, luminous way that only sacred music can. In the days since, I\u2019ve found myself returning to thoughts of Lenten music\u2014how it carves space for stillness, sorrow, and longing, and gently prepares the heart for joy on the far side of darkness. <\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Choral music I return to this time of year<\/h6>\n\n\n\n<p>Here are some of the recordings I find myself revisiting every Lent \u2013 whether they are pieces I have sung, or pieces I have listened to.<\/p>\n\n\n\n<p><strong>J.S. Bach \u2013 St. John Passion<\/strong> <em>Performed by Portland Baroque Orchestra and Cappella Romana<\/em> I had the privilege of singing on this recording, and it remains one of the most vivid and emotional interpretations I\u2019ve ever experienced. The experience of having recorded and toured with this work adds to the joy of revisiting this during Lent every year.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent&#038;listType=playlist&#038;list=OLAK5uy_nsWIS8vj0uUp1QS01GPbVcknnrIZ4GcEw\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p><strong>Carlo Gesualdo\u2019s Tenebrae Responsories and Victoria\u2019s Lamentations for Holy Saturday<\/strong> <em>Performed by Tenebrae<\/em> A stunning contrast between Gesualdo\u2019s raw, chromatic anguish and Victoria\u2019s luminous polyphony &#8211; both perfect for Holy Week reflection.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent&#038;listType=playlist&#038;list=OLAK5uy_mrKIIz9iXXb2XmCuAjC2mdEzY8sg3Q7ig\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p><strong>James MacMillan \u2013 Seven Last Words from the Cross<\/strong> <em>Performed by Polyphony<\/em> This one is slightly less meditative, but remains one of the most powerful Lenten works I have ever heard. Precise, expressive, and sometimes aggressive, reverent and unrestrained. A journey through grief and grace.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent&#038;listType=playlist&#038;list=OLAK5uy_kIvyfke3V5lFDTEsGUCYgNBU1L-oYLEaU\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h6 class=\"wp-block-heading\">About the guest author<\/h6>\n\n\n\n<p class=\"has-small-font-size\">Stephanie Noble grew up in Portland&#8217;s choral community. She has sung, over the past 30 years, with nearly every professional choral group in town, including Cantores in Ecclesia, Cappella Romana, Choral Cross-Ties, and The Ensemble, and was involved in the founding of the social justice-focused choral group Resonance Ensemble. She has retired from singing and is now Development Associate for Annual Giving for the Oregon Symphony. She is married to Charles Noble, Assistant Principal Violist of the Oregon Symphony. Her artistic path reflects a lifelong commitment to nurturing Portland\u2019s vibrant arts scene\u2014both as a performer and an advocate.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>guest blog post A Personal Reflection on Lenten Choral Music There\u2019s something about the music of Lent that feels like stepping into a dark forest, with sunlight streaming through the trees. The world quiets down. Time feels slower. As a choral musician, I\u2019ve always been drawn to this season\u2014not just because of its spiritual significance, [&hellip;]<\/p>\n","protected":false},"author":304,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[148,4110,818],"tags":[],"class_list":["post-24427","post","type-post","status-publish","format-standard","hentry","category-appreciations","category-choral","category-guest-post"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-6lZ","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":12763,"url":"https:\/\/www.nobleviola.com\/wordpress\/2013\/07\/07\/obf-passing-the-baton\/","url_meta":{"origin":24427,"position":0},"title":"obf &#8211; passing the baton","author":"Charles Noble","date":"July 7, 2013","format":false,"excerpt":"It was my final performance at the Oregon Bach Festival for 2013, and it was quite a historical event for the festival. This concert marked the symbolic 'passing of the baton' from founding Artistic Director Helmut Rilling to the Artistic Director Designate Matthew Halls. Rilling conducted a family affair first\u2026","rel":"","context":"In &quot;soloists &amp; recitals&quot;","block_context":{"text":"soloists &amp; recitals","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/soloists-recitals\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/07\/1044258_10151705975801162_893702049_n.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/07\/1044258_10151705975801162_893702049_n.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/07\/1044258_10151705975801162_893702049_n.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/07\/1044258_10151705975801162_893702049_n.jpg?resize=700%2C400 2x"},"classes":[]},{"id":25215,"url":"https:\/\/www.nobleviola.com\/wordpress\/2025\/12\/04\/caroline-shaw-and-the-spirit-of-christmas\/","url_meta":{"origin":24427,"position":1},"title":"caroline shaw and the spirit of christmas","author":"Charles Noble","date":"December 4, 2025","format":false,"excerpt":"I attended an amazing concert here in Portland last night. It was Trio Medi\u00e6val1 with Caroline Shaw and Danni Lee Parpan. It was much of the trio's recent holiday album sung live with Shaw and Parpan providing folksong adjacent atmospheric accompaniments.2 Trio Medi\u00e6val. Photo: \u00c5sa Maria Mikkelsen First of all,\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2025\/12\/Trio-Mediavel-2-1.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2025\/12\/Trio-Mediavel-2-1.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2025\/12\/Trio-Mediavel-2-1.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2025\/12\/Trio-Mediavel-2-1.webp?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2180,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/03\/19\/247-beethoven-rehearsal\/","url_meta":{"origin":24427,"position":2},"title":"24\/7 beethoven rehearsal","author":"Charles Noble","date":"March 19, 2009","format":false,"excerpt":"Bill Crane, Howie Baggadonutz and Thomas Lauderdale have been organizing an event called 24\/7: 24 concerts in 24 hours featuring many of Portland's best musicians, all commemorating the seventh anniversary of the U.S. war in Iraq.\u00c2\u00a0 This marathon concert event will take place in the atrium of the Wieden+Kennedy building,\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/"},"img":{"alt_text":"24-7_logo","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2009\/03\/24-7_logo-200x126.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3608,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/12\/14\/tis-the-season\/","url_meta":{"origin":24427,"position":3},"title":"&#8217;tis the season","author":"Charles Noble","date":"December 14, 2009","format":false,"excerpt":"This weekend brought two events that ostensibly revolved around the religious message of the Christmas season, but couldn't have been more different.\u00a0 Friday through Sunday nights were occupied by the 11th annual Oregon Symphony Gospel Christmas extravaganza.\u00a0 I had taken time off during this set of concerts for the past\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"ncgc1_original","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2009\/12\/ncgc1_original-400x266.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6804,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/08\/24\/oregon-bach-festival-hires-new-conductor\/","url_meta":{"origin":24427,"position":4},"title":"oregon bach festival hires new conductor","author":"Charles Noble","date":"August 24, 2011","format":false,"excerpt":"From the OBF's blog: Eugene, Oregon\u2014The Oregon Bach Festival announced today the appointment of 35-year-old British conductor and keyboardist Matthew Halls as its next artistic director. Halls will assume artistic leadership after the 2013 season, succeeding Helmuth Rilling, the founding artistic director from Stuttgart who will remain with the University\u2026","rel":"","context":"In &quot;conducting&quot;","block_context":{"text":"conducting","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/conducting\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/08\/tweet-4-240x360.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":533,"url":"https:\/\/www.nobleviola.com\/wordpress\/2007\/11\/14\/is-something-wrong-with-this-picture\/","url_meta":{"origin":24427,"position":5},"title":"is something wrong with this picture?","author":"Charles Noble","date":"November 14, 2007","format":false,"excerpt":"The irony is that if 83% of people who\u00c2\u00a0 earn more than $150,000 studied music in school, why do those of us who chose music as a career make much, much less? I am glad, however, that those people who studied music and then went on to other things were\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/24427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/304"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=24427"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/24427\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=24427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=24427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=24427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}