{"id":20622,"date":"2020-12-17T14:33:26","date_gmt":"2020-12-17T22:33:26","guid":{"rendered":"https:\/\/www.nobleviola.com\/wordpress\/?p=20622"},"modified":"2020-12-17T14:37:25","modified_gmt":"2020-12-17T22:37:25","slug":"happy-birthday-lvb","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2020\/12\/17\/happy-birthday-lvb\/","title":{"rendered":"happy birthday, lvb!"},"content":{"rendered":"\n<p>250 years ago today, Ludwig van Beethoven was baptized in Bonn, Germany. His birth date is agreed to have been December 16th, 1770. That&#8217;s one of my excuses for being a day late. The other is that I&#8217;ve been working on my <a href=\"https:\/\/www.classicalcurrents.com\" target=\"_blank\" rel=\"noreferrer noopener\">new project<\/a> and things just got out of hand.<\/p>\n\n\n\n<p>I love a lot of Beethoven, am <em>meh<\/em> about some Beethoven, and really dislike very little Beethoven. I&#8217;ve had friends who actively dislike Beethoven, and we just have to agree to disagree. &lt;shakes head&gt;<\/p>\n\n\n\n<p>In honor of Beethoven&#8217;s 250th, I&#8217;ve decided to give my list of my favorite Beethoven compositions (in no particular order). Let&#8217;s go!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">String Quartet in B-flat major, Op. 130<\/h4>\n\n\n\n<p>The late period quartets are incredible masterpieces that have perhaps been equaled, but never surpassed. The B-flat quartet is where Beethoven really takes the gloves off of the form. He explodes from the usual four movements to six. He starts with a schizophrenic first movement full of contrast and drama, and ends with a colossal, almost impenetrable fugue (so much so that the publisher asked LvB to write an alternate ending). And right before that fugue is one of his most profound utterances, the Cavatina, a breaktakingly intimate song for four instruments.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed\/hXvP0bqw2Cs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Piano Concerto No. 4 in G major, Op. 58<\/h4>\n\n\n\n<p>I love all of LvB&#8217;s piano concerti, but I have a soft spot for the Fourth. It&#8217;s the slow movement that does it, the Olympian call-and-response between the orchestra and the piano, leading from the most sublime and ethereal coda to one of the most joyous finales that Beethoven would ever compose.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed\/6lvBQJjxw4c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Violin Sonata in G major, Op. 30\/3<\/h4>\n\n\n\n<p>I first came to know this sonata from Midori&#8217;s debut album &#8211; which happened to be a <a href=\"https:\/\/www.allmusic.com\/album\/release\/midori-live-at-carnegie-hall-mr0001461832\">live recording<\/a> of her Carnegie Hall debut &#8211; and was struck by the energy and concentration of the piece. The <em>Kreutzer<\/em> gets most of the love, but I prefer this one.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed\/M5ryzTkech8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Piano Sonata No. 14 in C-sharp minor, Op. 27\/2 &#8220;Moonlight&#8221;<\/h4>\n\n\n\n<p>I just love the dark feel of the opening of this sonata. I&#8217;m sure it has a lot to do with the fact that Dmitri Shostakovich quoted and adapted this theme for the last movement of his last piece &#8211; his <em>Viola Sonata<\/em> of 1975. That aside, it&#8217;s such evocative writing that instantly puts you in a different headspace, and that&#8217;s good writing, I&#8217;d say.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed\/OsOUcikyGRk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Symphony No. 7 in A major, Op. 92<\/h4>\n\n\n\n<p>It&#8217;s hard to pick just one symphony to put on this list &#8211; there might be another before I&#8217;m done &#8211; but if there&#8217;s one that I keep coming back to again and again, it&#8217;s the Seventh. I&#8217;m always a sucker for Beethoven slow movements, and if they happen to be variation movements, all the better, and that&#8217;s what we get here. As a performing violist, this is probably my <em>least<\/em> favorite to play, it&#8217;s a slog &#8211; especially the last movement &#8211; so tiring to play, but to listen to, it&#8217;s one of my favorites for sure.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed\/-4788Tmz9Zo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Violin Concerto in D major, Op. 61<\/h4>\n\n\n\n<p>This piece is completely under my skin. It starts with four timpani notes!! And then a gorgeous woodwind chorale. And it has the most beautiful slow movement, and, and, and&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"580\" height=\"327\" src=\"https:\/\/www.youtube.com\/embed\/0Cg_0jepxow?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>That&#8217;s a start &#8211; enjoy LvB&#8217;s music the whole rest of the year, but better yet, pair it with some brand new music by some composers whose birthdays aren&#8217;t (yet) known to us!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>250 years ago today, Ludwig van Beethoven was baptized in Bonn, Germany. His birth date is agreed to have been December 16th, 1770. That&#8217;s one of my excuses for being a day late. The other is that I&#8217;ve been working on my new project and things just got out of hand. I love a lot [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":20624,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[148],"tags":[4044,2587,4042,4045,3680,62,4043],"class_list":["post-20622","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-appreciations","tag-250th-birthday","tag-ludwig-van-beethoven","tag-piano-concerto","tag-piano-sonata","tag-string-quartet","tag-symphony","tag-violin-sonata"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2020\/12\/external-content.duckduckgo.com_.jpg?fit=269%2C409&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-5mC","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":20082,"url":"https:\/\/www.nobleviola.com\/wordpress\/2020\/10\/21\/lvb250\/","url_meta":{"origin":20622,"position":0},"title":"#LvB250","author":"Charles Noble","date":"October 21, 2020","format":false,"excerpt":"This Friday I'm playing on another live stream broadcast, this time with my other quartet, the Arnica Quartet. We basically just play music we like, from all eras that there is repertoire for the classical string quartet formation. I wrote an entry for the 45th Parallel Universe blog - here's\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2020\/10\/beethoven-stamp.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2020\/10\/beethoven-stamp.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2020\/10\/beethoven-stamp.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2020\/10\/beethoven-stamp.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14046,"url":"https:\/\/www.nobleviola.com\/wordpress\/2016\/03\/13\/arnica-quartet-in-salem-this-afternoon\/","url_meta":{"origin":20622,"position":1},"title":"arnica quartet in salem this afternoon (past)","author":"Charles Noble","date":"March 13, 2016","format":false,"excerpt":"It's time for our virtually annual performance at the Salem Camerata Musica series at the Salem Library this afternoon. It's a program entitled Beyond Beethoven, and it features three wonderful quartets that one doesn't get to hear very often. The concert is at 2:30, and is free. We hope to\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"Arnica Quartet","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2016\/03\/DSC_2372-500x332.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7361,"url":"https:\/\/www.nobleviola.com\/wordpress\/2012\/02\/29\/beethoven-a-metaphysical-presence\/","url_meta":{"origin":20622,"position":2},"title":"beethoven, a metaphysical presence","author":"Charles Noble","date":"February 29, 2012","format":false,"excerpt":"I've been playing in string quartets for almost all of my adult life. I did the desultory dabbling that one often does as a high school student, and I wish that I'd been more serious about chamber music back then. When college came, so came the chamber music in earnest.\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2012\/02\/haydn-mozart-beeth.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2012\/02\/haydn-mozart-beeth.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2012\/02\/haydn-mozart-beeth.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":7423,"url":"https:\/\/www.nobleviola.com\/wordpress\/2012\/03\/15\/beethovens-unisons\/","url_meta":{"origin":20622,"position":3},"title":"beethoven&#8217;s unisons","author":"Charles Noble","date":"March 15, 2012","format":false,"excerpt":"I was recently reading the wonderful exchange\u00a0(scroll down to the Dec. 6 entry) between pianist Jonathan Biss and Brentano Quartet violist Misha Amory about the similarities between the late piano sonatas and string quartets of Ludwig van Beethoven when I came across one of those ideas that I'd never thought\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4251,"url":"https:\/\/www.nobleviola.com\/wordpress\/2010\/03\/21\/arnica-string-quartet-in-salem-today\/","url_meta":{"origin":20622,"position":4},"title":"arnica string quartet in salem today","author":"Charles Noble","date":"March 21, 2010","format":false,"excerpt":"If you're looking for something to do on this second day of Spring (with much different weather than yesterday), the Arnica Quartet (with guest cellist Trevor Fitzpatrick) will be performing at the Salem Public Library on the Camerata Musica series this afternoon at 2:30 p.m.\u00a0 The concert is FREE.\u00a0 We'll\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8233,"url":"https:\/\/www.nobleviola.com\/wordpress\/2013\/01\/29\/symphonyquartet-violinist-gives-recital-tonight\/","url_meta":{"origin":20622,"position":5},"title":"symphony\/quartet violinist gives recital tonight","author":"Charles Noble","date":"January 29, 2013","format":false,"excerpt":"Violinist Shin-young Kwon, who is a member of the Oregon Symphony and also the Arnica and Mousai Remix string quartets (!), gives a recital tonight (Tuesday, January 29th) with pianist Yoko Greeney at Portland State University's Lincoln Recital Hall (Room 75). The recital begins at 7:30 p.m., and is free\u2026","rel":"","context":"In &quot;soloists &amp; recitals&quot;","block_context":{"text":"soloists &amp; recitals","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/soloists-recitals\/"},"img":{"alt_text":"Photo: \u00a9 Charles Noble","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/01\/shin-young-8x10-300x375.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/20622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=20622"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/20622\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media\/20624"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=20622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=20622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=20622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}