{"id":13938,"date":"2015-11-14T10:23:10","date_gmt":"2015-11-14T18:23:10","guid":{"rendered":"http:\/\/www.nobleviola.com\/?p=13938"},"modified":"2015-11-14T10:23:10","modified_gmt":"2015-11-14T18:23:10","slug":"paris","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2015\/11\/14\/paris\/","title":{"rendered":"paris"},"content":{"rendered":"

\"11238220_10153263142932776_2518570120721318859_o\"<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-13938","post","type-post","status-publish","format-image","hentry","category-the-orchestra-world","post_format-post-format-image"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sa8kC-paris","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":185,"url":"https:\/\/www.nobleviola.com\/wordpress\/2007\/01\/27\/blast-from-the-past\/","url_meta":{"origin":13938,"position":0},"title":"blast from the past","author":"Charles Noble","date":"January 27, 2007","format":false,"excerpt":"I was doing some more scrounging around in my files and found this OSO program cover from March\/April 2002. The OSO was doing a series of profiles on musicians and their work with students. Denise Huizenga (at lower left) was in the Ethos Quartet with me at the time, so\u2026","rel":"","context":"In "the orchestra world"","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2054,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/03\/04\/schubert-dammit\/","url_meta":{"origin":13938,"position":1},"title":"schubert, dammit!","author":"Charles Noble","date":"March 4, 2009","format":false,"excerpt":"Edmonton Symphony music director Bill Eddins has another great post up today on his blog. \u00c2\u00a0It concerns the still pervasive elitist attitude in the symphony orchestra world. \u00c2\u00a0Here's his opening salvo: Strangely, I have lately run across a certain mentality in the orchestra business that I thought was heading into\u2026","rel":"","context":"In "appreciation"","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"franz_schubert","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2009\/03\/franz_schubert-200x228.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3298,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/10\/28\/opera-vs-symphony\/","url_meta":{"origin":13938,"position":2},"title":"opera vs. symphony","author":"Charles Noble","date":"October 28, 2009","format":false,"excerpt":"Sam Bergman over at the Minnesota Orchestra has a great post about the apparent double standard between opera companies and symphony orchestras.\u00a0 In brief: orchestras are constantly being berated for having structural deficits and are forced to produce more and more for-profit-like business models, while opera companies lose tremendous amounts\u2026","rel":"","context":"In "music"","block_context":{"text":"music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5086,"url":"https:\/\/www.nobleviola.com\/wordpress\/2010\/07\/25\/misc-snippets\/","url_meta":{"origin":13938,"position":3},"title":"misc snippets","author":"Charles Noble","date":"July 25, 2010","format":false,"excerpt":"The Oregonian reports that Oregon Symphony and the other major arts organizations in Portland have managed to stay in the black in this tough year, largely due to belt-tightening in their budgets. For the first time in five years, the Oregon Symphony balanced its budget, although the exact numbers won't\u2026","rel":"","context":"In "miscellaneous"","block_context":{"text":"miscellaneous","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/miscellaneous\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1167,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/09\/24\/huggett-to-lead-new-program-at-juilliard\/","url_meta":{"origin":13938,"position":4},"title":"huggett to lead new program at juilliard","author":"Charles Noble","date":"September 24, 2008","format":false,"excerpt":"From today's New York Times: Last October the Juilliard School announced that it would establish a graduate program in historical performance, shaped in large part by the American expatriate William Christie, who spearheaded the modern early-music movement in Paris. Now Juilliard is announcing specific dates and faculty members. Auditions for\u2026","rel":"","context":"In "historical performance"","block_context":{"text":"historical performance","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/historical-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2008\/09\/huggett.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":15314,"url":"https:\/\/www.nobleviola.com\/wordpress\/2019\/03\/25\/new-artslandia-profile-nina-decesare\/","url_meta":{"origin":13938,"position":5},"title":"new artslandia profile: nina decesare, double bass","author":"Charles Noble","date":"March 25, 2019","format":false,"excerpt":"\"Double bassist\u00a0Nina DeCesare\u00a0is making history as the Oregon Symphony\u2019s first female bass player.\u00a0After beginning her path to a professional musician at age\u00a08\u00a0on a quarter-size bass, DeCesare went on to study with Paul Ellison at Rice University and with Fran\u00e7ois Rabbath in Paris. She represented Rice\u2019s Shepherd School of Music with\u2026","rel":"","context":"In "double bass"","block_context":{"text":"double bass","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/instruments\/double-bass\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/13938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=13938"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/13938\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=13938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=13938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=13938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}