{"id":13167,"date":"2014-01-19T00:20:43","date_gmt":"2014-01-19T08:20:43","guid":{"rendered":"http:\/\/www.nobleviola.com\/?p=13167"},"modified":"2014-01-24T08:07:56","modified_gmt":"2014-01-24T16:07:56","slug":"vast-expanses-and-warm-embraces","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2014\/01\/19\/vast-expanses-and-warm-embraces\/","title":{"rendered":"vast expanses and warm embraces"},"content":{"rendered":"<p>Tonight&#8217;s concert with the Oregon Symphony was tremendous for me in so many ways. I feel like I&#8217;m entering a new phase of my life, full of possibilities, and in particular, undergoing a sort of renaissance in my artistic life. I&#8217;m enjoying playing in the orchestra as I have not in a very long time, and am just soaking in the music that we&#8217;re playing like a sponge. The orchestra is just sounding tremendous these days, and has been for quite some time. We&#8217;re a mature ensemble near the height of its powers.<\/p>\n<p>Some impressions from tonight.<\/p>\n<p>Glanert &#8211; <em>Shoreless River<\/em>: Incredibly soft and delicate playing from the cellos and basses at the beginning, and glorious English horn playing by Kyle Mustain. Ferocious virtuosity by principal violist Jo\u00ebl Belgique. A frenzy of plucking by the two harps &#8211; Jennifer Craig and Jenny Lindner. Singing trumpet\/viola section melodic lines played as one.<\/p>\n<p>Wieniawski &#8211; Violin Concerto No. 2: Concertmaster Sarah Kwak &#8211; a &#8216;gutsy angel&#8217;, as described by retiring violinist Kathryn Gray. We&#8217;re so lucky to have her here.<\/p>\n<p>Sibelius &#8211; Symphony No. 1: Yoshinori Nakao is one of the finest principal clarinetists in the country, and perhaps the entire world. His opening soliloquy over Jonathan Greeney&#8217;s timpani roll was indescribably sublime. The wind section had so many shining moments, it&#8217;s impossible to pick just one, but perhaps I will, in saying that the flute duet followed by the oboe duet in the first movement was the epitome of Sibelius at his happiest &#8211; played by Jessica Sindell and Zachariah Galatis\u00a0<del>Alicia Paulsen<\/del>, flutes; and Martin Heb\u00e9rt and Karen Wagner, oboes. Nancy Ives&#8217; cello solo in the second movement, over icy woodwinds, was the embodiment of molten lava flowing under glacial ice. The brass section &#8211; well, they&#8217;re just awesome. Everyone is awesome &#8211; it&#8217;s an honor to play in this fine orchestra, an orchestra that is full of the finest people I know, and is a real family to me.<\/p>\n<p>We&#8217;re repeating this concert only once, on Monday, January 20th at 8 pm. You really ought to be there.<\/p>\n<ul style=\"list-style-type: square;\">\n<li><a href=\"http:\/\/tickets.orsymphony.org\/single\/eventDetail.aspx?p=2228\">Tickets.<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Tonight&#8217;s concert with the Oregon Symphony was tremendous for me in so many ways. I feel like I&#8217;m entering a new phase of my life, full of possibilities, and in particular, undergoing a sort of renaissance in my artistic life. I&#8217;m enjoying playing in the orchestra as I have not in a very long time, [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-13167","post","type-post","status-publish","format-standard","hentry","category-the-orchestra-world"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/pa8kC-3qn","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2157,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/03\/16\/vortex\/","url_meta":{"origin":13167,"position":0},"title":"vortex","author":"Charles Noble","date":"March 16, 2009","format":false,"excerpt":"Photo: Mike Lloyd\/The Oregonian We've done the first two performances of Tomas Svoboda's Vortex for Orchestra, and the final performance is tonight.\u00c2\u00a0 It's a piece which seems to be growing in power and depth with each time we perform it.\u00c2\u00a0 It needs to be recorded by our orchestra. Tomas is\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"Tomas Svoboda after the world premiere of his 'Vortex for Orchestra'","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2009\/03\/d439df2cf9325c2dfdfb6a37e26f3b5c-399x260.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":78,"url":"https:\/\/www.nobleviola.com\/wordpress\/2006\/09\/24\/smells-like-team-despirited\/","url_meta":{"origin":13167,"position":1},"title":"smells like team (de)spirit(ed)","author":"Charles Noble","date":"September 24, 2006","format":false,"excerpt":"What does make an orchestra \"good\" or \"bad\" or \"mediocre\" or \"great\"? It seems like it should be a simple matter: better orchestras play with more precise and adaptable rhythm, pitch and dynamics than lesser orchestras do. But we've all been to a Big Five orchestra concert which was severely\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4118,"url":"https:\/\/www.nobleviola.com\/wordpress\/2010\/02\/26\/a-proud-and-thankful-orchestra\/","url_meta":{"origin":13167,"position":2},"title":"a proud and thankful orchestra","author":"Charles Noble","date":"February 26, 2010","format":false,"excerpt":"I just got back from the post-concert drinks after our annual Evelyn Nagel Donor Appreciation Concert (ENDAC) at the Newmark Theater.\u00a0 For years, ENDAC was an orchestra concert by the full orchestra, with most all of the orchestra's donors invited.\u00a0 Last year, Elaine Calder suggested (I believe) that the concert\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":345,"url":"https:\/\/www.nobleviola.com\/wordpress\/2007\/05\/30\/the-fabulous-philadelphians\/","url_meta":{"origin":13167,"position":3},"title":"the fabulous philadelphians","author":"Charles Noble","date":"May 30, 2007","format":false,"excerpt":"UPDATE: Here's the Seattle Times review by critic Melinda Bargreen. [link may expire after a few days] Yesterday my wife and I went up to Seattle's Benaroya Hall to hear the Philadelphia Orchestra perform the last concert of their 2007 US tour. It was a trip that was based upon\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":16452,"url":"https:\/\/www.nobleviola.com\/wordpress\/2019\/11\/15\/mozart-mahler\/","url_meta":{"origin":13167,"position":4},"title":"mozart &#038; mahler","author":"Charles Noble","date":"November 15, 2019","format":false,"excerpt":"Today was my first day at work for this week's classical series concerts. Rehearsals for the rest of the orchestra (those playing the Mahler 6th) began on Wednesday. I'm still transitioning to full-time work by playing partial concerts, so I get to play the Mozart G major Violin Concerto this\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2019\/11\/IMG_0085.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2019\/11\/IMG_0085.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2019\/11\/IMG_0085.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2019\/11\/IMG_0085.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2019\/11\/IMG_0085.jpeg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":5688,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/01\/03\/chamber-mahler\/","url_meta":{"origin":13167,"position":5},"title":"chamber mahler","author":"Charles Noble","date":"January 3, 2011","format":false,"excerpt":"Even though the orchestra doesn't start up again until Friday (rehearsing for the Joan Rivers special on Saturday), I've got another orchestra (quasi) gig going on this week.\u00a0 It's a recording project with Ken Selden, conductor of the Portland State University Orchestra, and it's pretty unusual.\u00a0 We're working on Mahler's\u2026","rel":"","context":"In &quot;chamber music&quot;","block_context":{"text":"chamber music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/chamber-music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/13167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=13167"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/13167\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=13167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=13167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=13167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}