{"id":13,"date":"2006-01-06T17:10:38","date_gmt":"2006-01-07T01:10:38","guid":{"rendered":"http:\/\/www.nobleviola.com\/wordpress\/?p=13"},"modified":"2013-02-07T17:38:44","modified_gmt":"2013-02-08T01:38:44","slug":"new-andor-unfamiliar-fear-and-hostility-why","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2006\/01\/06\/new-andor-unfamiliar-fear-and-hostility-why\/","title":{"rendered":"new and\/or unfamiliar – fear and hostility – why?"},"content":{"rendered":"

I was looking at the Oregon Symphony’s Web site the other day, and noticed a section which allowed patrons to post reviews of concerts<\/a> (presumably those reviews which are published are only the positive ones). Here is part of a letter which caught my eye:<\/p>\n

‘One thing I enjoyed also was the lack of modernistic atonal music. I guess it is necessary to play that but perhaps it ought to be another series like “pops” for people who enjoy it.<\/em>‘<\/p><\/blockquote>\n

I’ve long been puzzled by the disinterest or downright hostility towards new and\/or unfamiliar music. I understand that the patron pays good money to see a concert, and they don’t want to hear something which they don’t enjoy, but does the concert hall necessarily need to be a museum? In addition, don’t we also pay good money to see things which are not necessarily pleasant, such as the war photography of James Nachtwey<\/a>, or Spielberg’s Schindler’s List? <\/em>As a further question, don’t our ears “evolve” as we listen to a wider variety of music, so that something which seems fearsomely complex and incoherent can, after exposure to other similar works, begin to seem familiar and interesting? I quote the following review of a contemporary composer of some renown:<\/p>\n

All impartial musicians and music lovers were in perfect agreement that never was anything as incoherent, shrill, chaotic and ear-splitting produced in music. The most piercing dissonances clash in a really atrocious harmony, and a few puny ideas only increase the disagreeable and deafening effect.<\/p><\/blockquote>\n

The composer? Ludwig van Beethoven. The piece? The most-agreeable Overture to Fidelio<\/em>. The point is, to many of his time, Beethoven was incomprehensible noise. Knowledgeable patrons and critics continued to produce concerts and give favorable reviews, and over time his work gained greater favor. My point here is that symphony orchestras, as an essential part of their mission, need to promote and disseminate new music, or music which is worthy but not widely known. To not do so is a disservice to the communities they serve, and the greater good of Art.<\/p>\n

I am thankful that people such as the patron who wrote to the Symphony’s Website<\/a> care enough to buy tickets season after season, and that they are so passionate about what they hear and see that they write in to the management, music director, and even individual musicians. We are lucky in Portland to have such devoted followers. All I ask is that audiences listen with open ears, read the program notes before the performances of unfamiliar works, and come to concerts expecting the new and unusual as well as the familiar warhorses. Perhaps, in the not-so-distant future, audiences might come in greater numbers for these new “classics”.<\/p>\n","protected":false},"excerpt":{"rendered":"

I was looking at the Oregon Symphony’s Web site the other day, and noticed a section which allowed patrons to post reviews of concerts (presumably those reviews which are published are only the positive ones). Here is part of a letter which caught my eye: ‘One thing I enjoyed also was the lack of modernistic […]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[117,55,3666,3662,62,3656],"class_list":["post-13","post","type-post","status-publish","format-standard","hentry","category-the-orchestra-world","tag-critic","tag-orchestra","tag-oregon","tag-portland","tag-symphony","tag-the-orchestra-world"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-d","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6838,"url":"https:\/\/www.nobleviola.com\/wordpress\/2011\/08\/31\/back-to-school-er-work\/","url_meta":{"origin":13,"position":0},"title":"back to school, er, work!","author":"Charles Noble","date":"August 31, 2011","format":false,"excerpt":"\u00a0 Well, the day has arrived: the first day of the 2011-2012 season of the Oregon Symphony! 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The work that has most occupied the members of the\u2026","rel":"","context":"In "cello"","block_context":{"text":"cello","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/instruments\/cello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/11\/AlbanGerhardt_1_orig-e1321818574312.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":475,"url":"https:\/\/www.nobleviola.com\/wordpress\/2007\/10\/11\/oso-classical-series-b-concert-1\/","url_meta":{"origin":13,"position":2},"title":"OSO Classical Series B – Concert 1","author":"Charles Noble","date":"October 11, 2007","format":false,"excerpt":"This got buried amidst all of the intervening news of last week, and I thought that those of you who are coming to the concerts this weekend might be interested in doing some advance listening in preparation for the concert experience. So pardon the duplication of posts. 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While no reason was given for the cancellation, given that Ms. Upshaw is a high-profile breast cancer survivor, one must wonder if her health plays\u2026","rel":"","context":"In "soloists & recitals"","block_context":{"text":"soloists & recitals","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/soloists-recitals\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2011\/02\/Dawn_Upshaw-250x257.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13544,"url":"https:\/\/www.nobleviola.com\/wordpress\/2014\/08\/29\/waterfront-concert-was-awesome\/","url_meta":{"origin":13,"position":4},"title":"waterfront concert was awesome!","author":"Charles Noble","date":"August 29, 2014","format":false,"excerpt":"Last night, after a one year hiatus, the Oregon Symphony returned to Tom McCall Waterfront Park, at the west end of the Hawthorne Bridge, to play a wide selection of music for well over 10,000 area music lovers. 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