{"id":12959,"date":"2013-08-26T23:50:24","date_gmt":"2013-08-27T06:50:24","guid":{"rendered":"http:\/\/www.nobleviola.com\/?p=12959"},"modified":"2013-08-26T23:50:24","modified_gmt":"2013-08-27T06:50:24","slug":"another-crisis-article-where-are-the-solution-articles","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2013\/08\/26\/another-crisis-article-where-are-the-solution-articles\/","title":{"rendered":"another crisis article &#8211; where are the solution articles?"},"content":{"rendered":"<p><a href=\"http:\/\/www.newrepublic.com\/article\/114221\/orchestras-crisis-outreach-ruining-them\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-12960\" alt=\"newrep\" src=\"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2013\/08\/newrep-300x167.png?resize=300%2C167\" width=\"300\" height=\"167\" \/><\/a>Philip Kennicott has his <a href=\"http:\/\/www.newrepublic.com\/article\/114221\/orchestras-crisis-outreach-ruining-them\" target=\"_blank\">first new article<\/a> in three years up over at the <em>New Republic<\/em>, and it&#8217;s a doozy. It ostensibly covers the 2013 edition of the annual meeting of the League of American Orchestras (the management counterpart to the International Conference of Symphony and Opera Musicians, or ICSOM) [full disclosure, I serve as the webmaster for ICSOM]. Curiously, the lede concerns the Nashville Symphony&#8217;s recent financial woes (including the near foreclosure and auction of its new concert hall) and predicts &#8220;complex and rancorous negotiations&#8221; with the musicians. This about a week after a tentative agreement was reached in Nashville. Surely this could have been edited for the online edition (I would assume the print edition went to press at least a month ago).<!--more--><\/p>\n<p>This quibble aside, the article is a good guide to how orchestras in America have come to view their primary &#8216;product&#8217; &#8211; serious classical music &#8211; as something of an albatross, and have increasingly turned to pops and specials to prop up their business model. Increasingly, according to Kennicott and the League attendees,<\/p>\n<blockquote><p>many top orchestra leaders acknowledge that many of their innovations\u2014educational programs, diversity and outreach efforts, musical healing events at hospitals and hospices, community concerts away from the orchestra hall\u2014have not yielded anything encouraging when it comes to enticing new audiences. \u201cBut it\u2019s the right thing to do,\u201d they say, regardless.<\/p><\/blockquote>\n<p>Orchestras are also faced with increasingly cumbersome and often self-contradictory CBA&#8217;s (if you&#8217;ve ever had to parse an orchestra&#8217;s contract between its musicians and management, you know what a Sisyphean task this can turn out to be, due to the accumulation of layers and layers of clauses negotiated by years of insults to each side, both real and imagined), and a swing away from subscription to single concert sales models (which cost up to three times more to market).<\/p>\n<p>Kennicott takes the novel tack of comparing the current state of the American orchestras to the Catholic Church after the adoption of Vatican II. It&#8217;s a very cogent look at the problems facing orchestras in American these days, but it deserves an equally accomplished look at what the potential solutions might be.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Philip Kennicott has his first new article in three years up over at the New Republic, and it&#8217;s a doozy. It ostensibly covers the 2013 edition of the annual meeting of the League of American Orchestras (the management counterpart to the International Conference of Symphony and Opera Musicians, or ICSOM) [full disclosure, I serve as [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1783,848,2,2296],"tags":[2542,3443,3442,3441,3440],"class_list":["post-12959","post","type-post","status-publish","format-standard","hentry","category-administration-the-orchestra-world-music","category-outreach-music","category-the-orchestra-world","category-union-music","tag-article","tag-convention","tag-league-of-american-orchestras","tag-new-republic","tag-philip-kennicott"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/pa8kC-3n1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":914,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/04\/08\/more-flanagan-report-analysis\/","url_meta":{"origin":12959,"position":0},"title":"more flanagan report analysis","author":"Charles Noble","date":"April 8, 2008","format":false,"excerpt":"Brian Rood, member of the Kansas City Symphony and ICSOM President, has written an interesting and accessible analysis of the methodology, history and findings of the by now practically infamous Flanagan Report. You can read it in its entirety after the jump. Response to the Flanagan Report Much has been\u2026","rel":"","context":"In &quot;research study&quot;","block_context":{"text":"research study","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/research-study\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4733,"url":"https:\/\/www.nobleviola.com\/wordpress\/2010\/06\/04\/orchestras-and-the-national-union\/","url_meta":{"origin":12959,"position":1},"title":"orchestras and the national union","author":"Charles Noble","date":"June 4, 2010","format":false,"excerpt":"Drew McManus has opened a giant can of worms (but one that should benefit from being opened, in my opinion) in asking whether the ICSOM orchestras should remain in the AFM union (American Federation of Musicians).\u00a0 This question came after a union leadership decision that is breathtaking in its sheer\u2026","rel":"","context":"In &quot;labor issues&quot;","block_context":{"text":"labor issues","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/labor-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":895,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/03\/30\/icsom-chair-bruce-ridge-on-flanagan-report\/","url_meta":{"origin":12959,"position":2},"title":"ICSOM chair Bruce Ridge on Flanagan Report","author":"Charles Noble","date":"March 30, 2008","format":false,"excerpt":"The chairman of the International Conference of Symphony and Opera Musicians is Bruce Ridge. He's been a tireless representative of the vast majority of professional orchestra musicians in the US, and his analysis is thoughtful and worth considering. I present it here for your consideration. In recent days, there has\u2026","rel":"","context":"In &quot;labor issues&quot;","block_context":{"text":"labor issues","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/labor-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":538,"url":"https:\/\/www.nobleviola.com\/wordpress\/2007\/11\/17\/jacksonville-musicians-locked-out\/","url_meta":{"origin":12959,"position":3},"title":"jacksonville musicians locked out","author":"Charles Noble","date":"November 17, 2007","format":false,"excerpt":"The Jacksonville Symphony has locked out their musicians as a result of a negotiating impasse.\u00c2\u00a0 You can take a look at the musicians' website here.\u00c2\u00a0 I feel for the musicians - they're one of the lower paid orchestras in ICSOM, and they've been having difficulties for the past several years,\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":14124,"url":"https:\/\/www.nobleviola.com\/wordpress\/2016\/06\/06\/socks-and-underwear\/","url_meta":{"origin":12959,"position":4},"title":"socks and underwear","author":"Charles Noble","date":"June 6, 2016","format":false,"excerpt":"In the latest issue of the International Conference of Symphony and Opera Musicians (ICSOM) journal,\u00a0Senza Sordino, the Oregon Symphony's ICSOM delegate, piccolo player Zachariah Galatis, wrote eloquently of the ennui that accompanied our recent ratification of a new collective bargaining agreement. I won't go into it, he describes everything quite\u2026","rel":"","context":"In &quot;labor issues&quot;","block_context":{"text":"labor issues","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/labor-issues\/"},"img":{"alt_text":"Oregon Symphony\/Leah Nash","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2016\/06\/OSO-Full-Orchestra-Picture.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2016\/06\/OSO-Full-Orchestra-Picture.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2016\/06\/OSO-Full-Orchestra-Picture.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2089,"url":"https:\/\/www.nobleviola.com\/wordpress\/2009\/03\/09\/the-littered-landscape\/","url_meta":{"origin":12959,"position":5},"title":"the littered landscape","author":"Charles Noble","date":"March 9, 2009","format":false,"excerpt":"After a bit of blow back from my response to David Stabler's blog post about some restrictions on use of audio\/video clips of union musicians for a feature article of Tomas Svoboda's world premiere this week, I decided to follow some well-intended advice from one of my colleagues and get\u2026","rel":"","context":"In &quot;audio&quot;","block_context":{"text":"audio","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/audio\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/12959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=12959"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/12959\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=12959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=12959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=12959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}