{"id":12479,"date":"2013-02-18T18:40:33","date_gmt":"2013-02-19T02:40:33","guid":{"rendered":"http:\/\/www.nobleviola.com\/?p=12479"},"modified":"2013-02-20T09:51:47","modified_gmt":"2013-02-20T17:51:47","slug":"un-complementary","status":"publish","type":"post","link":"https:\/\/www.nobleviola.com\/wordpress\/2013\/02\/18\/un-complementary\/","title":{"rendered":"un-complementary"},"content":{"rendered":"<p>I was initially happy to notice this line in a recent <a href=\"http:\/\/www.nytimes.com\/2013\/02\/16\/arts\/music\/royal-concertgebouw-orchestra-at-carnegie-hall.html?smid=pl-share\" target=\"_blank\"><em>New York Times<\/em> review<\/a> of the Royal Concertgebouw Orchestra at Carnegie Hall:<\/p>\n<blockquote><p>To a large extent, the power behind these surges comes from the lower string section and the trombones, who in the Bruckner symphony, in particular, seemed to form the ensemble\u2019s backbone.<\/p><\/blockquote>\n<p>Then got sad as I realized how meager our lower string section complements are kept due to monetary concerns.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I was initially happy to notice this line in a recent New York Times review of the Royal Concertgebouw Orchestra at Carnegie Hall: To a large extent, the power behind these surges comes from the lower string section and the trombones, who in the Bruckner symphony, in particular, seemed to form the ensemble\u2019s backbone. Then [&hellip;]<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[186,2],"tags":[3272,3273,55,62,3271],"class_list":["post-12479","post","type-post","status-publish","format-standard","hentry","category-labor-issues","category-the-orchestra-world","tag-cellos","tag-double-basses","tag-orchestra","tag-symphony","tag-violas"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pa8kC-3fh","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":729,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/02\/01\/acoustic-phenomenon\/","url_meta":{"origin":12479,"position":0},"title":"acoustic phenomenon","author":"Charles Noble","date":"February 1, 2008","format":false,"excerpt":"Photo credit: Charles Noble It's amazing, how different things can sound just by moving a few feet in any direction. I was up in the balcony this morning as the Adams Chamber Symphony was being rehearsed. I started in the Dress Circle. Ok sound, nothing super, couldn't hear the keyboard,\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/"},"img":{"alt_text":"arlene schnitzer concert hall","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2008\/02\/5397030_e656dc7e35_m.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":21239,"url":"https:\/\/www.nobleviola.com\/wordpress\/2021\/04\/21\/new-digital-content-from-the-oregon-symphony\/","url_meta":{"origin":12479,"position":1},"title":"new digital content from the oregon symphony","author":"Charles Noble","date":"April 21, 2021","format":false,"excerpt":"Over the past two months, members of the string section of the Oregon Symphony have been working on some socially-distanced video captures of programs for string orchestra. Three weeks of work (the last of which is taking place this week), and soon it will be available for all to see\u2026","rel":"","context":"In &quot;the orchestra world&quot;","block_context":{"text":"the orchestra world","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/the-orchestra-world\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2021\/04\/Screen-Shot-2021-04-21-at-8.15.57-AM.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2021\/04\/Screen-Shot-2021-04-21-at-8.15.57-AM.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2021\/04\/Screen-Shot-2021-04-21-at-8.15.57-AM.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2021\/04\/Screen-Shot-2021-04-21-at-8.15.57-AM.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2021\/04\/Screen-Shot-2021-04-21-at-8.15.57-AM.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2021\/04\/Screen-Shot-2021-04-21-at-8.15.57-AM.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":13589,"url":"https:\/\/www.nobleviola.com\/wordpress\/2014\/11\/04\/the-oregon-symphony-an-inside-out-impression\/","url_meta":{"origin":12479,"position":2},"title":"the oregon symphony &#8211; an inside out impression","author":"Charles Noble","date":"November 4, 2014","format":false,"excerpt":"If you're frequent symphony patrons, you'll have noticed that I have been absent from the last two Classical series shows. That was due to the death of my father on October 21st after a short illness. I was fortunate to be able to get the time away from my job\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"Oregon Symphony | Photo: \u00a9 Charles Noble","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2014\/11\/IMG_0290-500x375.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2014\/11\/IMG_0290-500x375.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2014\/11\/IMG_0290-500x375.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":4118,"url":"https:\/\/www.nobleviola.com\/wordpress\/2010\/02\/26\/a-proud-and-thankful-orchestra\/","url_meta":{"origin":12479,"position":3},"title":"a proud and thankful orchestra","author":"Charles Noble","date":"February 26, 2010","format":false,"excerpt":"I just got back from the post-concert drinks after our annual Evelyn Nagel Donor Appreciation Concert (ENDAC) at the Newmark Theater.\u00a0 For years, ENDAC was an orchestra concert by the full orchestra, with most all of the orchestra's donors invited.\u00a0 Last year, Elaine Calder suggested (I believe) that the concert\u2026","rel":"","context":"In &quot;appreciation&quot;","block_context":{"text":"appreciation","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/appreciations\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1284,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/10\/16\/pesky-string-players\/","url_meta":{"origin":12479,"position":4},"title":"pesky string players","author":"Charles Noble","date":"October 16, 2008","format":false,"excerpt":"Bassist Michael Hovnanian, member of a Major Midwestern Orchestra With a Notably Loud Brass Section, wrote a hilarious description of guest conductor Jaap van Zweeden rehearsing Bruckner's Fifth Symphony: The Dutch violinist turned conductor spent more rehearsal time than normal dealing with the strings; in a work such as the\u2026","rel":"","context":"In &quot;bloggers&quot;","block_context":{"text":"bloggers","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/bloggers\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":645,"url":"https:\/\/www.nobleviola.com\/wordpress\/2008\/01\/06\/practice-schmactice\/","url_meta":{"origin":12479,"position":5},"title":"practice, schmactice","author":"Charles Noble","date":"January 6, 2008","format":false,"excerpt":"The month of January holds some big programs for us here at the Oregon Symphony. This week we begin with rehearsals for next weekend's classical series 6 concerts under Resident conductor Gregory Vajda, which includes Bart\u00c3\u00b3k's complete score to his ballet-pantomime The Miraculous Mandarin, and Paul Dukas' Sorcerer's Apprentice. Next\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"https:\/\/www.nobleviola.com\/wordpress\/category\/music\/"},"img":{"alt_text":"woodshed","src":"https:\/\/i0.wp.com\/www.nobleviola.com\/wordpress\/wp-content\/uploads\/2008\/01\/woodshed-full_4m.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/12479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/users\/303"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/comments?post=12479"}],"version-history":[{"count":0,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/posts\/12479\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/media?parent=12479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/categories?post=12479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nobleviola.com\/wordpress\/wp-json\/wp\/v2\/tags?post=12479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}