pesky string players
Bassist Michael Hovnanian, member of a Major Midwestern Orchestra With a Notably Loud Brass Section, wrote a hilarious description of guest conductor Jaap van Zweeden rehearsing Bruckner’s Fifth Symphony:
The Dutch violinist turned conductor spent more rehearsal time than normal dealing with the strings; in a work such as the Bruckner an endeavor akin to lifting up a stone at the beach, watching the various small crabs and other multi-legged creatures scuttle off in all directions, and then trying to coax them into marching single file across the sand. In spite of the ultimate futility of the effort, it was entertaining to watch. Needless to say, the stone was replaced at the performances with increasing force each night.
Read the complete post here.
October 16, 2008 No Comments
aren’t critics supposed to be critical?
I just discovered a new music blog, courtesy of Jason Heath’s Arts Advocate blog, called Mahler Owes Me Ten Bucks. It’s written by Chantal Incandela, a double bass player who has changed her career from being primarily a performer to writing as a classical music critic for NUVO, an alternative print publication in Indianapolis. The latest post caught my eye, as it deals with her thoughts about the direction the ISO is going with their relatively new music director Mario Vengazo. [Read more →]
May 20, 2008 4 Comments
gigs gone wrong
Bass blogger and Major Midwest Orchestra member Michael Hovnanian writes about a Good Friday gig gone wrong - horribly wrong. Now, no one was physically hurt during this gig, but I’m sure the mental scars will last quite some time.
March 23, 2008 No Comments
it’s the pit(s)

photo credit: David Shankbone
Double-bassist Jason Heath gives an exposé on life in the “pit” (the lowered area in front and beneath the stage which holds the orchestra during shows, ballets, and operas. It’s some pretty extreme stuff, including dancing, yelling, boozing, watching television - you get the picture (and if you don’t read the rest of the post here).
December 28, 2007 No Comments
