Posts tagged as:

new music

jennifer koh and the excitement of the new

by Charles Noble on November 28, 2009

jennifer koh, violinist - photo: © Fran Kaufman

Violinist Jennifer Koh (last heard with the Oregon Symphony in performances of the Brahms Violin Concerto, and before that the Szymanowski 1st Violin Concerto) has a new solo recording out on Cedille Records, entitled Rhapsodic Musings.  It features works by Elliot Carter, Esa-Pekka Salonen, Augusta Read Thomas, and John Zorn for solo violin.  Based upon [...]

{ Comments on this entry are closed }

the sky isn’t falling, the sky isn’t falling

by Charles Noble on December 5, 2008

Robert Levine has an excellent post today that goes along very well with my post of a couple days ago.  It’s a response to a recent posting by Greg Sandow, which you can find here.
Here’s the first two paragraphs of Robert’s excellent response:

Greg Sandow recently wrote a typically insightful and provocative post on “ways that [...]

{ Comments on this entry are closed }

if it bleeds, it leads

by Charles Noble on December 4, 2008 · 14 comments

This week’s Willy Week features a rare article (from its rarely heard and seen classical music writer – at least at OSO concerts) about the Oregon Symphony.  And what does this august journal choose to highlight?  The fact that the OSO does not play enough new music (I’m assuming that they’re talking about commissions or [...]

{ Comments on this entry are closed }

beta collide @ white stag friday

by Charles Noble on October 16, 2008

If you’re free on Friday evening, head over to the historic White Stag building (70 NW Couch St, Portland, 97209) at 8 p.m.  beta collide, the new new music ensemble formed by flutist Molly Barth and trumpeter Brian McWhorter, will be presenting a concert featuring works of Berio, Applebaum, Brown, Carter, Vitiello, Kurtag, Erickson, and [...]

{ Comments on this entry are closed }

real “new” music

by Charles Noble on February 12, 2008

I’ve been pondering Ron Blessinger’s thoughts on the 2008-2009 season programming at the OSO, and the more I think about it, the more I wish there were not only works by living composers, but that there were works which have received their first performances at least since 1995. Why 1995? Because this is [...]

{ Comments on this entry are closed }