I just discovered a new music blog, courtesy of Jason Heath’s Arts Advocate blog, called Mahler Owes Me Ten Bucks. It’s written by Chantal Incandela, a double bass player who has changed her career from being primarily a performer to writing as a classical music critic for NUVO, an alternative print publication in Indianapolis. The latest post caught my eye, as it deals with her thoughts about the direction the ISO is going with their relatively new music director Mario Vengazo. Continue reading “aren’t critics supposed to be critical?”
Tim Scott, one of my cellist colleagues from the Oregon Symphony, emailed me a link to the labyrinthine web site of Italian period specialist cellist Claudio Ronco. He looks a bit like Lucian Pavarotti after a few months on Jenny Craig, and he’s clearly got a lot going on with baroque cello. Lots of sound files, instrument pictures and other stuff that defies categorization.
Oregon Symphony cellist Adam Esbensen, a native of Corvallis, and a member of the Oregon Symphony since 2004 (he’s also the cellist with local new music ensemble fEARnoMUSIC), has won what is considered the Holy Grail of orchestral jobs, a position in a Big Five orchestra, in this case the Boston Symphony! Continue reading “oso cellist wins big gig”